By Mike Hughes
LOS ANGELES -- At first, Nelson
George didn't know he was witnessing a revolution.
Like his friends, he
was grasping for a world beyond Brooklyn. “We were talking about,
'How do we get on? How do I get to be a writer? .... How do I move
into the city.'”
Then, in the late
'70s, he saw music people with that same passion. It was the birth of
hip hop, which the lush Netflix mini-series “The Get Down” now
details. At its core, George said, was “that energy of
He's a “Get Down”
writer and consultant – logical for a guy who lived in the
epicenter of hip-hop. More surprising writer-producer-director Baz
Luhrmann, who's from the other part of the world.
“I grew up in a
very small country town (in New South Wales, Australia), in the
middle of nowhere,” said Luhrmann, 53. “Eleven houses; we had a
Luhrmann would go on
to make colorful movies -- “Great Gatsby,” “Romeo + Juliet”
and more. He was sitting in a Paris restaurant, he said, when he
spotted a photograph of early hip-hoppers.
thinking, 'Gee, how did so much creativity come from New York in that
George, 58, has
written books on hip-hop, but doesn't have a quick answer. In part,
he says, it was a fortunate blend of styles (rock, disco, R&B)
and of cultures.
58, was born in Barbados, but grew up in the Bronx. DJ Kool Herc, 61,
was born in Jamaica and moved to the Bronx at 12. One night, Luhrmann
said, Herc confided that hot dogs were at the core of this
“He said, 'My
father, who was from Jamaica, ... helped me build my first music
machine and said, “Why don't we play music to get the kids off the
street, and Mom will make hot dogs.”'”
recalls the first time he saw a Herc event: “A white van pulls up.
This really tall Jamaican guy gets out with his boys. They pull out
these giant speakers. They bring out milk crates ... full of records
and plug it in. They unplug the bottom of the light speaker, pull it
through, and – boom, the get-down is happening.”
mastered turntables and old records. “We didn't have musical
instruments,” Grandmaster Flash said. “Our instruments were
turntables, mixer .... I came up with a system that allowed me to ...
by the movement of my hand, extract that drum beat.”
To do that, he kept
grabbing more vinyl. “Flash was going to record stores and buying
... what they call 'cut-out records,” George said.
Back then, George
was an intern at the New York Amsterdam News, a black newspaper based
in Harlem. At a place called Downstairs Records, he said, someone
told him: “These kids ... are buying all these $1.99 records. They
are cleaning me out. Whar are they doing with them?”
George didn't know,
but he soon found out: They were changing America, first with
turntables and dance moves, later with rap.
Now that's been
re-created by Luhrmann, using lush visuals, driving music and
(mostly) fictional characters played by unknown actors.
“We have this
incredible young cast,” George said. “So when you look at it, ...
you're seeing youth, you're seeing energy. You're seeing optimism.”
-- “The Get Down”
mini-series, on Netflix beginning Friday