Looking like Danny Trejo is a great career move, but a tough start


There's a fierce energy to the "Dusk Till Dawn" series that somehow gets us past its flaws. The show is the center of El Rey, the cable -- and satellite and streaming and such -- network that reflect Robert Rodriguez's passion for action. Now "Dusk" starts its second season Tuesday, after a marathon; here's the story I sent to papers:

By Mike Hughes

Others can grumble
about typecasting in Hollywood, but Danny Trejo has a bigger concern:

As a kid, he says,
he was typecast in life. “There would be a bunch of us together,”
Trejo said. “But the police always went to me.”

He looked meaner,
looked guiltier. That was a bad thing throughout his youth, much of
which he spent behind barrs; then it became a good thing, propelling
an acting career.

As he talked about
this, he was sitting next to his colleague from the “Dusk Till
Dawn” series, creating a visual contrast. There was:

-- Trejo, 71, craggy
and imposing – a reminder of his “Machete” movie roles.

-- Wilmer
Valderrama, 35 and sort of sweet-faced -- a reminder of his “That
'70s Show” years.

For Valderrama, the
fierce “Dusk” is a new esperience. “It lets you exercise
different muscles,” he said.

That's usually just
actor talk, but in this case it's literal: Valderrama hit the gym
between seasons, giving his character (Carlos) a new set of muscles.
“My girlfriend is glad I did it,” he said.

And this is no
standard girlfriend. He's been dating actress-singer Demi Lovato, 23.

When Trejo was her
age, he was occupying a different universe. By various accounts, he
did time in six California prisons until he was about 30. He became a
prison boxing champion and went through a 12-step program, staying
sober ever since. Then his tough image led to an acting career.

“For my first
years, I was Inmate #1, Gang Member 2,” Trejo said. “I was the
bad Latino.”

He played guys named
Spider, Hawk, Sharkey, Scarface, Geronimo and Razor Charlie. That
last one was in “From Dusk Till Dawn,” the 1996 film that saw
crooks – Quentin Tarantino (who wrote the script) and George
Clooney -- hide in a nightspot, unaware it's a vampire hangout. The
film led to:

-- More “Dusk.”
There were two direct-to-video sequels and then the series. It
launched in March of 2014, as the centerpiece of Rodriguez's new El
Rey network; now its second season begins.

-- A steady of Trejo
in Rodriguez movies. One character, named Machete, had supporting
roles in four “Spy Kids” family films, then became the center of
two action films for grown-ups.

Now Trejo and
Rodriguez are back together. Late in the opener (Aug. 25) of the
second “Dusk Till Dawn” season, we meet him as a fierce soul
known as The Regulator.

“I think the
Regulator is kind of a cross between Machete and Marcia Brady,”
Trejo said.

He really did play
Marcia (sort of) in an ofbeat commercial. Trejo does comedy
sometimes, but “Dusk” takes him back to the dark side. The
season's second episode, Rodriguez said, has “Danny eating an
eyeball and being able to see what the guy is seeing. (Then you know)
you are in for a ride.”

Rodriguez directed
the season-opener and the season-finale – which includes a guest
role for Lovato. “I wanted to direct her,” he said. “She has
some great personality ... and she's got great acting chops.”

Back when he was
looking for young Latinas for “Spy Kids,” Rodriguez auditioned a
pair of 10-year-old Texas friends, Lovato and Selena Gomez. He
rejected them then, but both went on to be big stars. Now Lovato will
do an episode alongside her boyfriend, who's had his own
complications.

Born in Miami,
Valderrama spent his early years in Latin America. His family fled
north, he said, with little money. “I didn't speak English until I
was in school.”

Then it all worked
out. As a teen, he did plays and a commercial. At 18, he became a
“70s Show” star.

Life is pleasant,
sometimes, if you look sweet; it's tougher if you look like Danny
Trejo.

-- “From Dusk Till
Dawn,” 9 p.m. Tuesdays, El Rey network; second season starts Aug.
25.

-- That's preceded
by a marathon, from 11 a.m.; opener reruns at 10 p.m., midnight, 1
and 3 a.m.

-- El Rey -- via cable, satellite and streaming 00 also has
Robert Rodriguez's “Director's Chair” interviews with other
filmmakers. Reruns are 8 and 9 a.m. weekdays, plus some evenings; the
next new one is George Miller, Aug. 30.

-- El Rey recently
finished first season of “Lucha Underground” wrestling series. It
also has “Miami Vice” reruns and reflects Rodriguez's passion for
action films; see www.elreynetwork.com.

 

Bluntly speaking, Patrick Stewart does it all


When I turn 75, I highly doubt that a dozen chorus-line beauties will want to chat with me, much less dance with me. But then again, I'm not Sir Patrick Stewart, a master of past kingdoms and future universes. Stewart is remarkable in "Blunt Talk," which debuts Saturday on Starz, rerunning often. Here's the story I sent to papers:

By Mike Hughes

Patrick Stewart's
vast skill-set is ready to go on display. In cable's new “Blunt
Talk” series, Stewart does ... well, everything.

In the opening
episode, he does comedy, tragedy, a bit of swordplay and a passage
from King Claudius in “Hamlet.” We kind of expect all of that
from a Shakespearean master.

But the second
episode starts with him embedded among a dozen chorus girls, doing a
big dance number. “We began about three weeks (early), because it
was an elaborate sequence,” Stewart said.

And before it was
trimmed, he insisted, it was “a piece of iconic American televion
.... The moments that are missing are Gene Kelly moments.”

He's joking about
that, perhaps, but the dancing is competent ... as is everything
Stewart tries. He's “conquered every genre that he has attempted,”
said Seth MacFarlane, a “Blunt Talk” producer. “He's done
hourlong drama; he's done live theater. He's done ... comedy; he's
hosted 'Saturday Night Live.'”

He's spent a lot of
time back in the 16th century, thanks to Shakespeare, but
also spent seven years in the 24th century, captaining the
Enterprise. Arriving from England, he said, he'd expected the U.S. to
be “a free society, in which status ... was of no significance at
all. Well, I very quickly found out that being in a syndicatedm
science-fiction television show put me way down that hierarchical
ladder.”

Yes, that's more of
the Stewart humor, encasing bits of truth. Somehow, Emmy voters
ignored his splendid stay on “Star Trek: The Next Generation.”

His other work,
however, has been roundly honored. He's had four Emmy nominations and
(for spoken word) a Grammy win. He has one Tony nomination, plus two
wins in the British equivalent, the Olivier Award. He's also been
knighted.

Now Sir Patrick
plays a deep character. He's Walter Blunt, a well-meaning news-talk
host.

“His heart is
always in the right place,” said Jonathan Ames, the “Blunt”
creator. “He wants to do the right thing, (but) there might be a
lapse in judgment or an impulsive moment or a vulnerable moment.”

He makes a huge,
alcohol-fueled mistake in the opener, then tries to right it with
sheer bravado; in the second eisode, he veers toward a giant lapse of
journalistic ethics. Yet in between, he seems so fragile that we feel
more sympathy than disdain.

Also in-between is
the dream scene. “I had seen these Busby Berkeley videos on YouTube
and I was fascinated with the images,” Ames said, “that something
would open up like an eye.”

So he asked a
75-year-old knight to spend extra time being in a chorus line.
Stewart agreed.

“When does an
actor with my kind of background get to do a scene like that with 12
brilliant and beautiful women?” he asked. “It was an unexpected
treat.”

-- “Blunt Talk,”
9 p.m. Saturdays, Starz; debuts Aug. 22

-- Opener reruns at
10:05 p.m., 11:15 p.m., 3 a.m.; then Sunday at 10:20 a.m., 3:10, 8
and 11:30 p.m.

-- Also reruns at
3:25, 6:05 and 9 p.m. Tuesday; 11:15 p.m. Friday (Aug. 28) and 8:25
p.m. Aug. 29, before the second episode. Plus 7 p.m. Sunday on sister
channel Encore.

 

Old 'SNL' guys go to great lenghts -- and to Iceland -- for new comedy


Here's a good general rule for comedy fans: If Seth Meyers, Fred Armisen or Bill Hader are involved, give it a try; from "Weekend Update" to "Portlandia," they've brought some big laughs. Now all three are combining for "Documentary Now," which debuts Thursday (Aug. 20) on cable's IFC. Here's the story I sent to papers:

By Mike Hughes

LOS ANGELES – The
TV-comedy landscape used to seem limited. It had sketches and sitcoms
and stand-up and such, all done in a studio.

But a new generation
often prefers a cinematic approach. “Documentary Now” -- debuting
Thursday (Aug. 20) on the IFC cable channel -- continues a trend that
includes:

-- Latenight. Jimmy
Fallon and James Corden – actors, not stand-up comedians – show a
fondness for filmed bits; Stephen Colbert says he'll do the same when
he starts in September.

-- “Saturday Night
Live.” Filmed bits – rare, for a while – are now common and
popular.

-- And fresh
projects from “SNL” alumni. “There are so many more places that
are doing comedy,” Seth Meyers said. “IFC has been such a great
home for this from the beginning.”

Even while he was on
“SNL,” Fred Armisen raced west each summer to make “Portlandia.”
It became a staple for IFC (formerly Independent Film Channel), with
“Maron,” “Comedy Bang Bang” and more,

Other “SNL”
people, led by Will Ferrell, have made two mock miniseries on IFC.
And now four “SNL alumni – Meyers, Armisen, Bill Hader and
director Rhys Thomas – have “Documentary Now.”

The show offers mock
documentries, a comic tradition since Rob Reiner made “This is
Spinal Tap,” 31 years ago. “It's one of the greatest movies
ever,” Armisen said.

So “Documentary
Now” will include a film about a fictional band, the Blue Jean
Committee. It will also have variation on “Grey Gardens,” “Nanuck
of the North” and one of Meyers' favorites:

“Growing up,
watching 'Siskel & Ebert' was a big deal,” he said. “And they
were real champions of 'The Thin Blue Line' .... I worked at a video
store and that was one of the first documentaries I remember
watching.”

That film told of
the rush to convict a murder suspect, pitting a skilled prosecutor
against a clumsy, about-to-retire defense attorney. In contrast,
“Grey Gardens” met a mother and daughter in the decay of a
once-grand house; in this version, they're played by Armisen and
Hader.

Budgets were tight,
but “Documentary Now” shot two of its films in Iceland.

“It's the most
beautiful place,” said Armisen, who starred there in the “Nanuck”
take-off. “We fell in love with it; it's gorgeous. So we just did
this (second) episode.”

That one, Meyers
said, is based on something Armisen has talked about: “Fred has
long made the observation that when you go to Europe, what they love
about America is slightly off. You'll see T-shirts that say, 'Long
Island Baseball Club.'”

So they imagined an
Al Capone festival in Iceland, with gangster hats and pizza. Armisen
savored the experience, Meyers flew in for three days, Hader stayed
home, filming some narrator scenes.

“I said, 'How do I
get out of going to Iceland?'” Hader said. “And they said, 'You
gotta play the old guy and be in prosthetics for five hours.' And I
was like, 'Done.'”

His reluctance to
travel is logical, Meyers said. “Bill has three children and Fred
and I don't.”

Still, it's
remarkable that any of them have time for this. Meyers has his talk
show (12:35 a.m. weekdays on NBC), with Armisen as the bandleader and
sidekick, when he's not doing something else.

Still, the former
“SNL” colleagues find time to make odd films. “This project is
one that I really love being a part ot,” Meyers said. “I love
that we figured out a way to keep working together.”

-- “Documentary
Now,” 10 p.m. Thursdays, starting Aug. 20, rerunning at 1 a.m.

-- Opener, a “Grey
Gardens” take-off called “Sandy Passage,” also reruns at 12:30
p.m. Saturday, 11 p.m. Sunday and 5:30 a.m. Monday.

-- Also, subject to
change: “Dronez: The Hunt for El Chingon,” Aug. 27; “Kunuk
Uncovered,” Sept. 3; “The Eye Doesn't Lie,” Sept. 10; “A
Town, a Gangster, a Festival,” Sept. 17; Gentle and Soft: The Story
of the Blue Jean Committee,” Sept. 24.

 

"Wife Swap" turns Tommy Davidson into the quiet, normal one


Onstage, Tommy Davidson has sometimes been a whirl of activity. But now he's the quiet-normal-traditional guy ... at least when paired with Corey Feldman on "Celebrity Wife Swap." That episode, the season-finale, airs Sunday (Aug. 19); here's the story I sent to papers:

(Fun TV story about
Tommy Davidson and the “Celebrity Wife Swap” season-finale,
Wednesday)

By Mike Hughes

Tommy Davidson is no
expert on traditional-style families.

He was found in the
trash (literally) and raised amid chaos. His grown-up years have been
complicated.

But now the
“Celebrity Wife Swap” season-finale pegs him as the normal guy.
It:

-- Sent Amanda Moore
– then Davidson's fiance, now his wife – to the home of actor
Corey Feldman. He shares it with three women, she said: “There's a
'main angel' and 'angels in training.'”

-- Sent Courtney --
that main angel -- to Davidson's house, where she found a different
world.

Courtney, who eats
only fruit, was greeted by Davidson making a hardy meat barbecue.
Moore, a businesswoman, was greeted by a suggestion that she change
into some lingerie.

None of this was his
idea, he said. Davidson, 51, doesn't watch reality shows, but Moore
does and thought he'd be ideal. “People don't know him as a family
man and as a really good father.”

Anything like that
would be an accomplishment, when you consider the early odds against
him.

When he was 18
months old, Davidson has been told, he was found in the trash in
Mississippi. He was adopted by a well-meaning couple and whisked to
Colorado, Wyoming (yes, his adoptive family tree includes a cowboy)
and Oregon.

He was 5 when the
family reached Washington, D.C., a week after Martin Luther King was
killed. A black kid with white parents, he had been unaware of racial
rage; now he was surrounded by it.

Davidson was raised
mainly by his mother, who was busy as a housing-union presoident. “I
was a latchkey kid,” he said. “She was a single mom in the '70s,
working hard.”

He did various jobs,
eventually becoming an assistant chef. Then friends nudged him to try
an open mike at a D.C. strip club. Comedy came easily, he said. “It's
something that's in me.”

Soon, he was opening
for music stars – Patti La Belle, Luther Vandross, Anita Baker and
Al Jarreau; just three years into his career, he was hired by Keenen
Ivory Wayans for the “In Living Color” show.

“The hyperactive
talents of Tommy Davidson (had) the versatility to mimic” M.C,
Hammer and Spike Lee, Nelson George wrote in the show's companion
book (Warner Books, 1991).

This was an all-star
line-up, including Jim Carrey, Damon Wayans and David Alan Grier .
“Keenan was very professional,” Davidson said. “He had people
who did stand-up, impressions, acting.”

And Davidson could
tackle anyting, including music. “He seems like he's a reserve, but
he's actually an important part of the ensemble,” Wayans told
George. “He's the guy who comes on in the clutch.”

Davidson went on to
do stand-up tours, co-host Magic Johnson's talk show, guest on
comedies and be a voice-cast regular on “The Proud Family” and,
currently, “Black Dynamite.”

His personal life
has been scattered, but in recent years he's been with Moore, an
opposite force.

She's tall
(5-foot-7-and-a-half) and blonde; he's not. Her parents were together
45 years; his weren't.

And personality?
“I'm creative, more of a free spirit,” he said. “She's
organized, very task-oriented.”

A single mom with a
pre-school son, she created a store (Lil Posh Resale) in Costa Mesa,
in California's Orange County. Davidson describes their home as
“quiet.”

That's not how
Feldman describes his world. He has the Corey's Angels talent agency,
managing women and booking them for lingerie parties.

Soon, Moore was in
lingerie and Courtney was at a barbecue. Wife swaps can be
complicated.

-- “Celebrity Wife
Swap” season-finale

-- 10 p.m.
Wednesday (Aug. 19), ABC

 

 

They spend their lives telling crime stories


There are a lot of true-crime stories out there, some of them tacky and some not. Now Chris Hansen (of "Predator" fame) opens a show, alongside some others with crime-tale pros. Here's the story I sent to papers:

By Mike Hughes

LOS ANGELES -- Even
in America, it's not easy to fill an entire network with classy crime
shows.

So the Investigation
Discovery channel has included plenty of what its president, Henry
Schleiff, calls “entertaining, but, candidly, over-the-top
programming.”

It has Roseanne Barr
hosting “Momsters” and soon (Oct. 9) will have Wendy Williams
with “Death by Gossip.” It has “Tabloid” and “Who-the-bleep”
and, of course, “Sex Sent Me to the Slammer.”

But beyond all the
quirks, Schleiff says he wants shows with “credible experts who
bring context.”

The latest addition
is Chris Hansen, whose 20 years at NBC included the controversial “To
Catch a Predator.” His “Killer Instinct” debuts Monday, on a
network that already has ex-cop Joe Kenda (“Homicide Hunter”) and
former FBI profiler Candice DeLong (“Deadly Women”)..

These people don't
necessarily agree on approach. For instance:

-- After digging
deeply into a case – and the series-opener is a nasty one –
Hansen expects to toss it aside. “I'm able to separate it,
compartmentalize it .... It's what I've always done.”

-- Kenda can't do
that. “It's burned into your brain with a laser knife,” he said.
“It never goes away.”

Kenda sees endless
possibilities. “Humans are capable of anything; humans are violent
by nature.”

And DeLong tries to
figure out why. She was a psychiatric nurse, sometimes working with
prisoners who were in for 30 days of observation. “A lot of the
nurses would run away from those people,” she said. “But I was
drawn to them. I wanted to know what made them tick.”

That led to work at
the FBI and its Behavioral Science Unit. She was even portrayed by
Jean Smart in a 2003 TV movie, “Killer Instinct.”

That title always
seems to work; now it's used by Hansen, whom Schleiff calls “truly
one of the country's best crime reporters.”

His interest started
when he was a 10-year-old in Bloomfield Hills, Mich., riding his bike
to watch the search for Jimmy Hoffa. Much later, Hansen would be a TV
reporter in Detroit.

The key, he said, is
learning to deal with police, with victims ... and even with
criminals. “I give them respect. And I get inside their heads and
understand the way they think.”

Hansen was hired by
“Dateline” in 1993, focusing on breaking stories. A decade later,
he linked with an activist group to create “To Catch a Predator”
segments. Volunteers posed as kids Online; then cameras caught those
who responded.

The result produced
strong ratings and strong attacks. Critics accused the show of
entrapment and of profiting from misfortune. That peaked when a
target committed suicide.

By 2009, “Predator”
had ended. When Hansen left NBC four years later, many people
attributed it to fallout from “Predator” and from his
extramarital affair, which had gone public. Hansen, 55, insists his
departure “was very amicable.”

Now he's working on
several projects, including a Kickstarter push to fund “Hansen vs.
Predator.”

First is “Killer
Instinct,” which opens by revisiting a Cleveland area where 11
women disappeared, mostly in 2008. Hansen interviewed neighbors,
relatives of the victims and one key figure.

“Vanessa Gay ...
was kidnapped, tortured, and – for whatever reason – he allowed
her to escape,” he said. “And as she's going to the bathroom
before he lets her go, she sees a headless corpse of a woman wrapped
in plastic .... It is the most compelling victim interview that I've
ever done.”

-- “Killer
Instinct,” 10 p.m. Mondays, Investigation Discovery, debuting Aug.
17

-- “Homicide
Hunter,” 10 p.m. Tuesdays; the Aug. 18 episode is preceded by
reruns from 4-8 p.m.

-- “DeadlyWomen,”
10 p.m. Fridays, preceded by reruns at 8 and 9; also, DeLong's
“Facing Evil” has reruns from 11 a.m. to 1 p.m. Aug, 25.