Salazar symbolized a transforming Los Angeles



(TV story about Ruben Salazar, subject of a very interesting
PBS documentary Tuesday.)


By MIKE HUGHES


As Los Angeles quaked in the 1970s, Ruben Salazar’s image
soared.


“He became an icon for the left in this town,” said Phillip
Rodriguez, director of a PBS profile. “He was being portrayed in kind of
crudely drawn portraits under freeway underpasses and things.”


Much of that came after he was killed, at 42, by a tear-gas canister
during a day of protests. Soon, he seemed to have martyr status. “I was always
perplexed by how people were in awe of him …. People wanted to be near me
because I was Ruben Salazar’s daughter,” Stephanie Salazar Cook said.


Still, there were gaps. Salazar was “ubiquitous, but at the
same time, very unknown,” Rodriquez said. The documentary sketches someone who reflected
changes in a city and in an era.


“Salazar was a member of the silent generation,” Rodriguez
said. He had “the values of that generation, which was stoicism and wait your
turn, like many immigrant groups had done.”


Born in Mexico, he grew up in El Paso. “He always liked to
write,” Cook said. “He was an avid reader …. He wrote for his high school
newspaper and his college newspaper. I think it was a calling.”


By 31, he was a reporter for the prestigious Los Angeles
Times; by 37, he was a foreign correspondent in Vietnam, Mexico City and more. He
assimilated, marrying a non-Latino and living in Orange County. “He was urbane,
ambitious, capable,” Rodriguez said, comparing him to a “Mad Men” character from
that era. “He was a Don Draper and he was a guy who enjoyed his cocktails and
had a more complicated sense of self than we might think.”


Then the Times re-assigned him to cover its city’s growing
Latino community. Salazar was not happy, Rodriguez said, “to be called to be a
Mexican again, (covering) the taco beat.”


Gradually, however, he began to agree with the young Chicano
rebels he was covering. Salazar criticized officials and police … especially
after leaving the Times in January of 1970 to become news director of KMEX, one
of the nation’s first Spanish-language stations.


Eight months later, while covering a protest march, he
stepped into a bar for a drink and was killed by a canister. It was “probably
just … a stroke of bad luck,” Rodriguez said. Still, the prevailing police
attitude was a “cowboy kind of ‘shoot first, ask questions later’ …. The
problem was they happened to kill a celebrated Mexican (and) brought attention
on themselves.”


The martyr/icon years followed. A decade after Salazar’s
death, his daughter moved to Hawaii, where her family symbolizes a blended
era. “My kids are Hawaiian, Chinese, Norwegian” and Hispanic, Cook said. “I
feel so grateful this documentary (shows who) their grandfather was.”


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“Ruben Salazar: Man in the Middle”


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9 p.m. Tuesday, PBS (check local listings)


She baked herself back from the brink


OK, I admit there are much bigger things happening right now. The wonderful "Orphan Black" is back (9 p.m. Saturdays, BBC America); Easter weekend ranges from "The Bible," "The Ten Commandments" and an ABC romance movie to a bloody good "King of Thrones."

Still, let's pause for a moment to consider a little movie Sunday. "Apple Mortage Cake" is a fairly good film, but it's real-life story is terrific; so is its star (Kimberly Elise) ... and its cake. Here's the story I sent to papers:


By MIKE HUGHES


Like many people, Angela Logan hit bottom in 2009. Jobs were
scarce, bills were piling, foreclosure was near; she had three sons and no
answers.


“We had absolutely no money at all,” Logan said. “We didn’t
have a dime and did not know which way we were going to turn.  I had already cried; I had already been
afraid.”


Then she baked. The result is told in the movie “Apple
Mortgage Cake,” described by director Michael Scott as “a very uplifting,
inspiring story.” Appropriately, it debuts on Easter, on the network called UP.


Logan was already familiar with show business. She was a
model and an actress who had small roles in a few episodes of shows shot on the
East Coast. She was also a substitute teacher and a student.


For a time, she said, money was easy to get. “There was a
lot of predatory lending …. Everywhere you went around 2007, ’08, they were
giving money away, until the bubble burst.”


Two businesses – the agency handling her acting, the
contractor fixing her storm-damaged house in Teaneck, N.J. – folded or
disappeared. She needed $2,500 in 10 days to save her home.


Other solutions – hair-styling, studying nursing at
community college – were long-term. She needed something quick; if she could
bake and sell 100 apple cakes, at $40 apiece, she could net the $2,500.


“It’s not an easy thing to say to your friends and to your
family,” Logan said. “Especially after you’ve been on TV and you’ve been in
modeling and doing all that stuff and then all of a sudden you have no money
and you have to ask people for help.”


But people did help, quickly. The local newspaper printed a
story and others followed. A local Hilton loaned its kitchen; a non-profit
group (Bake Me a Wish) helped with shipping. The house was saved.


Now Logan sells her cakes at farm markets, at specialty
stores and for special events, including the VIP party when the Super Bowl came
to New Jersey. She has a Web site (
www.maccakes.com)
and has a small role in the movie.


Upbeat stories are common for UP, for Scott (“Mrs. Miracle”)
and for Kimberly Elise (“Ditchdigger’s Daughter”), who stars. “I cook a lot,”
Elise said. “I’m a vegan and so I make a lot of my own food.”


And yes, Logan did make one vegan cake, so Elise could have
the apple-mortgage-cake experience.


n 
“Apple Mortgage Cake,” 7 p.m. and 11 p.m. Easter
Sunday, UP.


n 
Repeats the following Saturday (April 26) at 9
and 11 p.m.


Freeman's "Fargo": The quiet eloquence of "Minnesota nice"


During a busy blur of new cable shows, "Fargo" is the one that seized my attention. The series (which starts at 10 p.m. Tuesday, April 15) is good in every way -- beautifully written, filmed and -- with Martin Freeman and Billy Bob Thornton playing opposites -- acted. And as someone who has spent a lot of time in Minnesota, I can attest to the fact that it captures that region's quiet and quirky charm. Here's the story I sent to papers:


By MIKE HUGHES


British actors quickly become masters of big words, long
sentences, grand speeches.


Starring in the new “Fargo” series, however, Martin Freeman
goes the opposite way. “You have the so-called ‘Minnesota nice,’” he said.


These are Northern folks who don’t spend much time
lecturing. They were created in the 1996 movie by Minneapolis natives (Joel and
Ethan Coen) who know the turf.


“It’s a much more stoic culture,” said Noah Hawley, who
produces the TV version. “People don’t like to talk about their feelings.” It’s
a culture another Minnesotan (Garrison Keillor) captures on radio, Hawley said,
complete with “a lot of sentences started and abandoned.”


It’s a quiet and trusting world, creating fierce contrasts when
grisly murders appear. It’s also light years from the New York City where Hawley
grew up or the Texas where Allison Tolman (who plays a cop) grew up. “Southern
women (are often) lying about how great everything is,” she said.


And it’s a jump for Freeman, who has conquered British
classics – Hobbit, Holmes and Hitchhiker.


He stars in the “Hobbit” movies, starred in the 2005
“Hitchhiker’s Guide to the Galaxy” and is Watson in PBS’ “Sherlock” series. In
each case, he says, he had a big respect, but not a superfan background. “If you’re
too close to something, too invested, it can be difficult to play.”


And he entered into “Fargo” with a respect for the movie. “You’re
in a world between humor and drama, which is a beautiful set-up.”


Like many Englishmen, he grew up around clever comedy. “I
remember loving ‘Monty Python’ when I was 5, holding my sides laughing, because
it was so silly.’”


The next year, he moved (with his mother and four siblings) from
the military town of Aldershot to a London suburb. There, his life had little
in common with that of Lester Nygaard, the bullied “Fargo” guy.


“I was always a small kid,” Freeman said, but “with the
tough guys, I was always the mascot …. I could make them laugh.” He managed to
co-exist with nerds and jocks. “I liked the kids who could talk about (actor)
Peter Sellers, but also liked the ones who gave the nuns a hard time.”


He joined a theater group at 15, went to acting school at 17,
got OK roles in theater, movies and TV, then drew attention at 30, in the British
version of “The Office.” A decade later, his hot streak began.


“You get too busy,” Freeman said. “But as an actor, if you’re
not doing something you start to worry.”


There hasn’t been much time with long-time partner Amanda Abbington
(who plays Miss Mardle on PBS’ “Mr. Selfridge” series) and their two children. The
best time came when “Sherlock” cast her as Watson’s wife. “I think I got it
because Martin and I have quite good chemistry,” she joked.


Mostly, Freeman has been gone. He raced from New Zealand
(doing “Hobbit”) to Calgary, a Canadian province facing one of its toughest winters.
“I’ve never seen that much white,” he said.


It was a fiercely cold place to film “Fargo”; it was also a
reminder of why Northerners can be so stoic.


n 
“Fargo,” 10 p.m. Tuesdays, FX; debuts April 15,
rerunning at 11:37 p.m.


n 
Opener then has latenight reruns on Wednesday
night (12:21 a.m.), Thursday night (1:02 a.m.) and Saturday night (1 a.m.)


Oinks and all, Chris P. is a charming star


TV critics meet a lot of stars during their trips to California, but few match the personal appeal of Chris P. Bacon. Yes, he's a pig (a small, two-legged one), but he has accepted his fate with a sense of grace and joy. He'll be part of a charming PBS special Wednesday (April 9); here's the story I sent to papers:


By MIKE HUGHES


Chris P. Bacon should be used to the complications of fame.


He’s a two-legged pig with a three-book deal, occasional TV
appearances and a key spot Wednesday in a feel-good PBS special. He’s used to
traveling … but not used to changing time zones.


“He woke me up at 3 this morning,” Dr. Len Lucero said after
they met with TV critics in Pasadena. “He’s still on Florida time.”


Still, he’s a cheerful traveler. “He has a lot of body
movements that mimic happiness,” Lucero said. “But for the most part, we assume
if (pigs are) quiet, they’re happy.”


Bacon’s colleague onstage was more visible in his joy.
Roofus, a golden retriever, is blind and lame (with non-functioning front legs),
yet upbeat. “He’s a very happy guy,” said Kathy Weir, his human.


He has, after all, survived an awful start. Roofus and his
brother, who is also blind, were abandoned in a park. They were taken to a
golden-retriever rescue agency, where Weir and a friend decided to take turns
caring for him … and to provide part of the $1,500 needed for prosthetic legs.


Such critter-prosthetics are becoming more common, said
Martin Kaufman, a Denver man who specializes in them. “If you can do it for a
two-patient, let’s do it for the four-legged,” he said.


Dogs are the biggest winners; the PBS special has Roofus and
others, but also includes a pony’s new foreleg, plus a beak for a swan and a
tail for an alligator. And it includes Bacon, in a category of his own.


With all sorts of troubled animals in his veterinary
practice, Lucero still noticed Chris. “Looking at this otherwise healthy animal
just crawl across the exam table, it didn’t seem right to put (him) to sleep.”


So he took him home. “I come walking in with this box and this
squeaky little pig inside, and everybody thought that they heard a bird …. I
told my family that we needed to find a home for this pet. And without batting
an eye, my wife stands up and says, ‘Well, you just found one.’”


Their kids, then ages 15 and 17, also approved. One of their
old toys was re-purposed, providing wheels in lieu of hind legs. Soon dubbed
Chris P. Bacon (after an old videogame character), he began making the rounds
in the passenger seat of the truck. Lucero calls him “my veterinary assistant.”


Soon, people noticed. A video quickly drew more than a
million views; Chris became one of the world’s best-known Bacons, alongside
Kevin, Canadian and Sir Francis. His story became an amiable children’s book.
He did TV appearances pleasantly … as long as he didn’t switch time zones.


n 
“Nature: My Bionic Pet,” 8 p.m. Wednesday, PBS
(check local listings)


n 
“Chris P. Bacon: My Life So Far,” Hay House
(2013)


Blue-collar rockers made audiences glad all over



By MIKE HUGHES


A half-century ago, music’s “British invasion” sent careers
into hyper-speed.


Forget about agents and such. Dave Clark, then a 22-year-old
former movie extra, was negotiating with the heads of Warner Brothers, “The Ed
Sullivan Show” and EMI records. He got great deals:


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EMI said he could own the records after three
years. “In those days, there was no such thing as longevity,” Clark said. “They
thought you would be one-, two-, three-hit wonders.”


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Sullivan flew the Dave Clark Five to New York,
where they did his show two days after at least one of them was still doing his
British factory job. “They appeared on ‘The Ed Sullivan Show’ 18 times, more
than … any other act except for Topo Gigio,” said Stephen Segaller, programming
director for WNET, which produced a rambunctious new Clark special airing
Tuesday on PBS.


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And even Jack Warner, movie master, made
concessions.


This was when most rock movies were universally awful. “It
was a bit like when I met Elvis,” Clark, 72,’ recalled. “He said, ‘You see one
of my films, you’ve seem then all.’”


Now, Clark recalled, Warner was sitting at one end of a
giant table. “He said, ‘My daughter loves you. I want to do a movie with you.’”


Clark insisted on a real story – music only in the
background -- and wanted to choose the director. Warner agreed, he said,
“providing the film was out there for the drive-ins next summer.’”


Then Clark chose director John Boorman, whose work he’d seen
in a TV documentary. Their movie – called “Having a Wild Weekend” in the U.S. –
made no box-office splash, but drew a rave from demanding critic Pauline Kael
and some others.


Boorman would go on to a long career, directing “Deliverance,”
“Excalibur” and more. The band’s life would be hot -- it “recorded 13 albums in
four years,” Segaller said – and brief, breaking up in 1970,.


It had the right preparation, Clark said; here were five
blue-collar mates who savored soccer and did long shows in tiny English places.
“You played at the dives where they would throw things at you.”


Then came big dance halls and American air bases. “There
were lots of records on the jukebox that were never played in England, like ‘Do
You Love Me,’ ‘Twist and Shout,’ ‘Over and Over.’”


Clark built his band in the style of the American
rhythm-and-blues groups, complete with keyboards and saxophone. “I wasn’t that
good a drummer,” he said. “I drummed for the fun of it.”


It was a vigorous, kinetic style; in the PBS film,
Springsteen drummer Max Weinberg talks about copying Dave Clark moves. And amid
those high-energy, high-decibel instruments, there was Mike Smith. “He was one
of the most underrated singers,” Clark said.


This was a band that could switch to a gentle ballad –
“Because” or (during a royal charity concert) “Georgia.” Then the drums would
pound again and the Dave Clark Five boomed, over and over.


n 
“The Dave Clark Five: Glad All Over,” 8-10 p.m.
Tuesday, PBS (check local listings), under the “Great Performances” banner.