Fox's fall facelift ranges from Gotham to Utopia



By MIKE HUGHES

Scrambling for a fresh start, Fox will have a major facelift
this fall. It will:


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Start three weeknights with reality shows, two
of them returning (“Hell’s Kitchen” and “Masterchef Junior”) and one new
(“Utopia”).


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Air that new show, at first, for two episodes a
week. “Utopia” gives strangers a year to build a new civilization. “It has a
bit of a soap element to it,” said Kevin Reilly, the network’s programming
chief. “People will want to follow the characters.” So he’ll start it early
and, for the first six weeks, have new hours on Tuesdays and Fridays.


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Intermingle cartoons and non-cartoons on
Sundays. “The Simpsons” and “Family Guy” share the night with “Brooklyn Nine
Nine” and the new “Mulaney.”


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And gamble big on a “Gotham,” a “Batman” prequel.


Last fall, Marvel’s “Agents of SHIELD,” never found the
ratings success ABC expected. Still, networks seem optimistic about comic-book
spin-offs.


This fall, ABC will bring “SHIELD” back and add Marvel’s
“Agent Carter” … CW will add “The Flash” and return “Arrow” … and now Fox looks
at Gotham City. Unlike “SHIELD,” Reilly said, this one has “the tentpole
characters,” including the Penguin, the Riddler and the men who would become
Batman and Commissioner Gordon.”


For years, Fox had propped itself up on the power of two
reality competitions. But now “The X Factor” is finished and “American Idol” is
no longer huge. When it returns in the spring, Reilly said, it will probably
have the same judges, but an altered format, with about one-third fewer hours.


Other shows are being dumped, including “Raising Hope,”
“Almost Human” and “Enlisted.” Complicating things, Fox resists the pattern of
giving dramas 22 episodes. “They cannot produce 22 (good ones) in a row,
especially in the first year,” said Joe Earley, Fox’s chief operating officer.


So “Gotham” has a 16-hour commitment so far and “Sleepy
Hollow” is up to 18 for its second season. “Glee” has 22 for its final season
(starting in mid-season), but could cut back a bit.


Then there’s what Reilly calls “event-izing” – creating
shows with a definite ending. “24” is doing that now, trimmed back to 12 hours;
“Gracepoint,” this fall, is a 10-hour version of the praised British series
“Broadchurch,” with the same star (David Tennant), but a different ending.


For mid-season and beyond, Fox has another “event” (M. Night
Shyamalan’s “Wayward Pines”), plus plenty of series, ranging from Lee Daniels’
drama about hip-hop music (“Empire”) to a comedy with Will Forte as, literally,
“The Last Man on Earth.” First, however, is this fall line-up:


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Mondays: “Gotham,” 8 p.m.; “Sleepy Hollow,” 9.


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Tuesdays: “Utopia,” 8 p.m.; “New Girl,” 9; “The
Mindy Project.”


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Wednesdays: “Hell’s Kitchen,” 8 p.m.; “Red Band
Society,” 9.


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Thursdays: “Bones,” 8 p.m.; “Gracepoint,” 9.


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Fridays: “Masterchef,” 8 p.m.; more “Utopia”
(for six weeks), 9.


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Saturdays: Sports.


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Sundays: Football (sometimes with “Bob’s
Burgers” at 7:30 p.m.); “Simpsons,” 8; “Brooklyn Nine-Nine,” 8:30; “Family
Guy,” 9; “Mulaney,” 9:30.


Playing a mom? It helps to have a fearless one



Lots of Bonnie Somerville's best roles put her on familiar turf. She played a singer-songwriter, which she is. She's played cops, which her grandfather and cousins have been. And now she plays a mother; her own mom provides an interesting background. Here's the story I sent to papers:


By MIKE HUGHES


For Bonnie Somerville, Mother’s Day used to be a mega-day –
lots of food, people and conversation.


Her mom, after all, had eight siblings. “We’d get as many
people as we could, for a big dinner,” she said.


Now things are quieter. She’s in California and arranged a
Mother’s Day gift for her mom in Manhattan. And on separate coasts, they can
watch “Mom’s Day Away,” her new Hallmark Channel film.


“It has a really funny script, almost a buddy comedy,” she
said. “And I got to be in beautiful Vancouver.”


Well, outwardly beautiful. Despite a frigid stretch, the stars
were in shorts and T-shirts; that’s acting.


Somerville plays a stay-at-home mom whose husband (James
Tupper) and kids seem too busy for her, even on Mother’s Day weekend. A friend with
an exotic career whisks her to a resort, where she ponders having it all …
which Somerville’s own mom has sort of shown is possible.


That was not an easy situation – a policeman’s daughter in a
Catholic family, being a single-mom in mid-’70s Brooklyn; it worked out, with
the help of that mega-family. “My grandparents would watch me after school,”
Somerville said, and her mom – who built a Wall Street career – encouraged her.
“She taught me to be fearless, told me I could be anything I wanted to be.”


Which involved music. “I saw ‘Annie’ when I was 6 years old (and)
would sing the “Annie” songs around the house all day.” She stuck with that,
majoring in musical theater in college; in virtually her first TV role, she was
the vibrant star of “Shake, Rattle and Roll,” a1999 mini-series about a 1950s
singer-songwriter. “I was 25 and it was huge for me; it was probably the best
time I’ve ever had in a role.”


Her music faded as TV kept her busy. In the final year of “NYPD
Blue” and the only year of “Golden Boy,” Somerville played police detectives –
appropriate for someone whose grandfather and several female cousins became
cops. In comedies, she starred in three series (“Grosse Pointe,” “Kitchen
Confidential” and “The In-Laws”) and guested in others, even being Ross’
girlfriend Mona in half a “Friends” season.


But the music returned when she wrote and sang a song in “Garden
State,” the 2004 indie-movie favorite. Somerville went on to sing with The Band
From TV (“Hugh Laurie is an amazing musician”) and is now filming an indie
musical. Life can be good for someone whose mom lets her to be fearless.


 Mother’s Day TV,
Sunday


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“Mom’s Day Away,” noon and 9 p.m., Hallmark
(debuts Saturday, 8 p.m. and midnight).


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“My Mother’s Future Husband,” 7 and 11 p.m., UP.


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“I Remember Mama” (1948), 8 p.m. ET, Turner
Classic Movies.


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Also, two perverse choices – “Mommie Dearest”
(1981), 7:15 p.m., Sundance; the first half of the new “Rosemary’s Baby” miniseries,
9-11 p.m., NBC.


"24" brings fresh chaos and crises ... this time to London


Yes, it's good to have "24" back. For all of its bizarre twists and wild credibility gaps -- and there are huge ones Monday -- this is riveting television, sharp stories crisply filmed. The show returns with two hours on May 5, then has 10 one-hour chunks to (again) save the world. Here's the story I sent to papers:


By MIKE HUGHES


For eight seasons, the crises kept expanding.


A senator might be killed … a nuclear bomb might be
detonated … a virus might be released … a president is slain … a world-war
nears. Each time, Jack Bauer saved us in 24 hours; then he fled.


Now, four years later, he’s back. This new version both is
and isn’t like the old “24”:


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The story again spans 24 hours, but now the series
is 12 episodes, not 24. Each episode is still in real time, but sometimes the
story will jump ahead an hour or two between weeks.


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Jack (Kiefer Sutherland) is on his own now, a
fugitive with almost no one on his side. Chloe (Mary Lynn Rajskub) is back, but
not like before. She’s “not just his trusted sidekick and most trusted friend,”
said producer Howard Gordon, “but someone who has been quite damaged.”


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Only two others from the previous seasons are
around – Audrey (Kim Raver), Jack’s ex-lover, and her dad (William Devane), now
the president.


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And Los Angeles and Washington are finally safe;
this story happens in London.


For Sutherland, the jump to London was fine. “I was born
there and spent huge parts of my life there,” he said. “It’s a place where I
feel very comfortable.”


Still, it’s not the usual spot for action-adventure. “Traffic
there is very difficult,” Sutherland said in January, before filming began. “We
plan to be shooting outside … blowing up cars, double-decker buses, things like
that. I’m sure we’ll be hated by a large portion of London for snarling up
their traffic.”


And yes, producer Manny Coto said, there will be “some
pretty crazy events” in London.


The difference is in the precision of the storytelling.
Cable-viewers are used to 10-12 hours or so for a story; pushing each “24” to
24 episodes was a stretch, Gordon admitted. “It was really, really punishing.
So this felt like we could catch our breath a little bit and felt like we could
craft this.”


At first, all the “24” rumors were about a movie (which
producers say is still a possibility); then talk of a 12-hour series emerged.
Fans insisted Chloe be involved.


“It was a strange two-month-or-so period,” Rajskub said. “It
was every day on Twitter and me waiting to see if I was going to be included ….
I have a lot of people refuse to call me anything but Chloe.”


Then the story was set. Chloe is a rebel, Jack is a fugitive;
one federal agent (Yvonne Strahavski of “Chuck”) senses his schemes. And then those
“crazy events” hit London.


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“24: Live Another Day,” Fox


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Opener is 8-10 p.m. Monday (May 5); then 9 p.m.
Mondays, with 10 more episodes


Life's busy if you're a student, star and sorority sister


My own college-years jobs involved the usual things -- scraping dishes, sweeping floors and such; they did NOT involve co-starring in a TV show. By comparison, there's Greer Grammer, an A-student and MTV actress. Then again, little about her life has followed the usual patterns; here's the story I sent to papers:


By MIKE HUGHES


Here’s a clue about TV scheduling: It’s good to have “Teen
Mom” as your lead-in – unless you want to be anonymous around your sorority
sisters.


When Greer Grammer reached the University of Southern
California, she didn’t talk about her acting. “I just said I had to work.” Alas,
her Kappa Kappa Gamma sisters liked “Teen Mom”; it was followed by “Awkward,”
with Grammer playing a naïve teen. “All of a sudden, I had people asking why am
I on TV?”


Until then, Grammer may have blended in. “I’m so normal, as
far as I’m concerned,” she said.


Well as normal as someone can be after growing up in Malibu,
winning beauty pageants and having a father with five Emmy awards.


Her dad is Kelsey Grammer, the actor-producer; her mom is
Barrie Buckner, a make-up artist. Her half-siblings include Spencer Grammer, who
starred in the “Greek” series. Now Greer, 22, is in her fourth season on “Awkward”
(as Lissa), while reportedly getting straight A’s in school.


She had been onstage (as a “Wizard of Oz” Munchkin) at 5, but
her parents were hesitant about show business; instead, she did pageants. “My
friend had done some; I made fun of her until I tried it myself.”


Three times, she was in the top 10 for Miss California Teen
USA. She spent two years at an arts-oriented boarding school and another being
home-schooled, somehow achieving bits of normality. “I got to go to prom and
graduate with all my friends.”


She seems to have dodged the Hollywood-type troubles at her
roots. In “So Far” (Dutton, 1995), Kelsey Grammer said Buckner was his long-time
friend and (during a stormy part of his marriage) his occasional lover. “With
her, there was no torment, no expectation – only kindness and affection.” Then
came her pregnancy. “I had reservations …. In retrospect, I am delighted Barrie
chose to have our little girl.”


That’s Greer, who said she has avoided her dad’s addictions.
“I grew up knowing that drugs are a big problem and that was never something I
got into …. I had so many friends that went to rehab.”


Instead, she went to auditions. Grammer landed a few TV
guest roles, before trying out for “Awkward,” a high school comedy. “I showed
up in leggings and a T-shirt and everyone else was in sundresses. I thought, ‘Well,
I’m not going to get this one.’ I kind of laughed it off – and then MTV called
me.”


She was entering college and a TV series at the same time, a
juggling act that seemed reasonable at first. “As time went on, my classes got
harder,” she said.


Now she’s down to her final three classes and 12 credits,
nearing her theater arts degree. Life is fine – unless she reverses the usual
pattern. “I have joked that I would be the one who has a job all the way
through college and the show would be cancelled as soon as I graduate.”


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“Awkward,” 10 p.m. Tuesdays, MTV, with the
previous episode rerunning at 9:30.


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The season’s third episode debuts April 29,
rerunning at 7 and 11 p.m. Wednesday, 11 a.m. Friday and 1 p.m. Saturday
(preceded by the second episode at 12:30 p.m.).


 


Salazar symbolized a transforming Los Angeles



(TV story about Ruben Salazar, subject of a very interesting
PBS documentary Tuesday.)


By MIKE HUGHES


As Los Angeles quaked in the 1970s, Ruben Salazar’s image
soared.


“He became an icon for the left in this town,” said Phillip
Rodriguez, director of a PBS profile. “He was being portrayed in kind of
crudely drawn portraits under freeway underpasses and things.”


Much of that came after he was killed, at 42, by a tear-gas canister
during a day of protests. Soon, he seemed to have martyr status. “I was always
perplexed by how people were in awe of him …. People wanted to be near me
because I was Ruben Salazar’s daughter,” Stephanie Salazar Cook said.


Still, there were gaps. Salazar was “ubiquitous, but at the
same time, very unknown,” Rodriquez said. The documentary sketches someone who reflected
changes in a city and in an era.


“Salazar was a member of the silent generation,” Rodriguez
said. He had “the values of that generation, which was stoicism and wait your
turn, like many immigrant groups had done.”


Born in Mexico, he grew up in El Paso. “He always liked to
write,” Cook said. “He was an avid reader …. He wrote for his high school
newspaper and his college newspaper. I think it was a calling.”


By 31, he was a reporter for the prestigious Los Angeles
Times; by 37, he was a foreign correspondent in Vietnam, Mexico City and more. He
assimilated, marrying a non-Latino and living in Orange County. “He was urbane,
ambitious, capable,” Rodriguez said, comparing him to a “Mad Men” character from
that era. “He was a Don Draper and he was a guy who enjoyed his cocktails and
had a more complicated sense of self than we might think.”


Then the Times re-assigned him to cover its city’s growing
Latino community. Salazar was not happy, Rodriguez said, “to be called to be a
Mexican again, (covering) the taco beat.”


Gradually, however, he began to agree with the young Chicano
rebels he was covering. Salazar criticized officials and police … especially
after leaving the Times in January of 1970 to become news director of KMEX, one
of the nation’s first Spanish-language stations.


Eight months later, while covering a protest march, he
stepped into a bar for a drink and was killed by a canister. It was “probably
just … a stroke of bad luck,” Rodriguez said. Still, the prevailing police
attitude was a “cowboy kind of ‘shoot first, ask questions later’ …. The
problem was they happened to kill a celebrated Mexican (and) brought attention
on themselves.”


The martyr/icon years followed. A decade after Salazar’s
death, his daughter moved to Hawaii, where her family symbolizes a blended
era. “My kids are Hawaiian, Chinese, Norwegian” and Hispanic, Cook said. “I
feel so grateful this documentary (shows who) their grandfather was.”


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“Ruben Salazar: Man in the Middle”


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9 p.m. Tuesday, PBS (check local listings)