Last stand for "Last Comic Standing" finalists

Stop me if you've heard this before ... which you might have. A few weeks ago, I sent papers a story about a promising comedian, Lachlan Patterson. Now he's one of the three survivors in Thursday's "Last Coming Standing" finale. Here's the updated version I sent:



Lachlan Patterson gets a lot of questions, but this one tops
(or bottoms) the list.

“I really hate it,” he said, “when people say, ‘How come
you’re not famous?’”

They might quit asking now: Patterson has added a little
fame, as one of three “Last Comic Standing” finalists; if he wins Thursday, he’ll
get $250,000 … and a development deal for a possible NBC show.

As luck would have it, Patterson already looks like a TV (or
movie) star. He’s 6-foot-4 and handsome.

“My initial impression, when he walked out, was, ‘Oh, This
guy looks like a mannequin. What is he going to do?’” recalled Keenen Wayans,
one of the judges. Others probably wondered the same thing, Wayans said: “If
you don’t fit in that (visual) mold, the audience is always going to doubt you.”

 Then, Wayans said,
clever material erased all doubts. “He’s very sly, you know …. And crafty, as

He’s sly and shy, a quiet Canadian whose dad had warned him against
a comedy career. The dad is a high school guidance counselor, Patterson said,
and “has access to all the information on jobs.”

He was also Patterson’s coach in baseball, soccer and
basketball – which dominated after the kid grew five inches at age 16. Later,
after quitting college, Patterson took a stand-up comedy class.

After doing well in Canada, he moved to the U.S. in 2007.
Three years later, “Tonight” people scouted another comic and saw him. “They
said, ‘We’d really like to use you, but we can’t say when.’”

When the call came, Patterson was needed that night. He
savored the experience – “in Jay Leno’s audience, they applaud jokes” – but
didn’t become famous. For a while, he quit working the national comedy-club circuit;
in Venice, Cal., he surfed, worked nearby clubs and was a dog-walker.

Then “Last Comic Standing” returned (after skipping three
summers) and found its final three.

There’s Nikki Carr, a grandmother of four. “Nikki is one …
whose name I didn’t know before the show,” said Russell Peters, a judge and a
stand-up veteran. She “surprised me with every turn she took.”

By comparison, Peters had seen Rod Man do comedy often over
15 years. “I’ve seen him destroy in black rooms, but this is a mixed room and
it’s a very different game.  When he
destroyed the same way, I (thought), ‘Maybe I’ve misjudged him.’”

All three comics are used to being misjudged. And after
Thursday, one of them might not hear questions about not being famous.

“Last Comic Standing” finale, 9-11 p.m.
Thursday, NBC

Sean Bean -- yes, he alive again -- is ready for the role(s) of a lifetime

Time after time, Sean Bean has given quietly perfect performances. That's something that seems to fit the actor and his roles, including "Game of Thrones" hero Ned Stark. "He exemplified Ned, that quiet strength," Michelle Fairley, who played his wife, said in "Inside Game of Thrones" (Chronicle Books, 2012). "He may not be much of a talker, but he can do a lot with a look."

Bean definitely isn't a talker, but with help from his colleagues, he told about "Legends," an excellent TNT series that starts Wednesday (Aug. 13); here's the story I sent to papers


Sean Bean has raged across the centuries, making war and
(sometimes) love.

He’s been Zeus and Odysseus and Major Richard Sharpe, galloping
through the Napoleonic wars. He’s been Lady Chatterley’s lover, Anna Karenina’s
lover, Lorna Doone’s nemesis.

His Ned Stark was the soul of “Game of Thrones,” until he
was killed. He led a revolt in “Henry VIII,” until he was killed. He was
Boromir in “Lord of the Rings,” until he was killed. “I’ve died a lot of
different deaths,” said Bean, who’s reportedly been killed at least 20 times on
film. “(But) I’m still here.”

Now he stars in cable’s “Legends” cable series, the ideal
job for the guy who’s played everything. “I think one of the attractions was
playing multiple characters, which I have never done before,” he said.

This is a story about FBI undercover work. We first see him
as Lincoln Dittman -- a militia member, shy and stuttering. “People think he’s
a bit goofy, a bit slow,” Bean said.

Except that’s just an undercover identity for the FBI’s
Martin Odum …. and some people aren’t sure he’s really Odum, either. “His
identity is kind of the driving question,” said producer David Wilcox.

Odum has propelled different stories about who he is and
where he’s from. “You watch Martin Odum really transform himself into these
different legends that he’s created,” said co-star Ali Larter.

This character needs to be the consummate actor; so does the
man who plays him. “To watch Sean morph into these different people is incredible
to watch,” Larter said. “I don’t think you’ve seen someone of this quality take
on a role like this.”

Here’s an actor who fits the battlefield. He “belongs to a
rare, dying breed – the believable, manly tough guy …. Sean can make you
believe he’s a man who’s made his place in the world killing people,” D.B.
Weiss, the “Game of Thrones” producer, said in “Inside Game of Thrones”
(Chronicle Books, 2012).

His rough image fits him well. Bean grew up in Yorkshire and
sometimes worked in his dad’s fabrication company. He studied welding, dropped
out of several schools and divorced four times. At first, Hollywood kept making
him a villain, battling Harrison Ford (“Patriot Games”), Nicolas Cage (“National
Treasure”), Ewan McGregor (“The Island”) and Pierce Brosnan’s James Bond (“GoldenEye”).

But there’s a flip side. Bean is Royal Academy of Dramatic
Art grad who became a member of the Royal Shakespeare Company. He’s done “Romeo
and Juliet” and “Macbeth” and more.

Some British actors take pride in shaking a role off when
the camera stops; some Americans try to immerse themselves deeply. Bean calls
himself “kind of in-between,” but may lean to immersion.

“It is sometimes hard to switch off,” he said. “The more
intense the production is … there is a residue that you take home with you …. You
have to shake it off, to live with your family.”

Martin Odum – like Bean, a man who’s always acting – has
trouble shaking it off. He strains for a relationship with his ex-wife and his
son; he struggles to be himself … whoever that might be.

“Legends,” 9 p.m. Wednesdays, TNT, rerunning at

Opener (Aug. 13) also runs at 10 a.m. Saturday,
then late-night Saturday (technically, 12:31 a.m. Sunday); also, late-night
Sunday (12:31 a.m. Monday) on TBS.

Seeking your approval: Clever folks, just talking

I first noticed Neal Brennan recently, when he did a terrific stand-up comedy bit, complete with three microphones. I should have noticed him much sooner; this guy co-created "Chappelle's Show," a classic. Now he has a low-key and entertaining weekly show that debuts Monday (Aug. 11); here's the story I sent to papers:


This is TV entertainment at its most basic – five people,
sitting around talking.

It works, if the people are clever enough and the subjects
are right. That’s what “The Approval Matrix” is going for, Neal Brennan said. “I
was looking for areas that are not smart enough for Bill Maher, but too smart
for Chelsea.”

Maher’s shows (“Politically Incorrect” and “Real Time”)
could sometimes get serious; Chelsea Handler’s “Chelsea Lately” could sometimes
get silly. By comparison, the first “Matrix” episode asks if this is really a
new TV golden age; the second discusses the effects of fame.

The people talking do know the subject: In the opener,
there’s TV Guide critic Matt Roush, writer-producer-comedian Whitney Cummings,
comedian Julie Klausner and Willie Geist of “Today.” And hosting is Brennan,
who once gave TV a golden half-hour.

Brennan had dropped out of college to write for TV shows,
good and bad. He did stand-up comedy, met Dave Chappelle and wrote a script
with him. That’s when they talked about a TV series built on cinematic
mini-films. “The ideas had to be funny in the first place,” he said.

They were; “Chappelle’s Show” became a big hit until its
star suddenly retired it. Brennan was caught by surprise; “it took me a couple
years to get back” to stand-up, he said.

He did, with skill. One recent routine saw him rotating
between three microphones – one for full bits, one for “orphan jokes” not part
of a bit and one for personal comments. Somehow, it all worked.

Brennan directed one “Mindy Project” episode and a lot of “Inside
Amy Schumer” ones. And he jumped into the notion of a talk show based on the “Approval
Matrix” feature in New York Magazine.

He booked people he knows (“any comedian is a friend of mine”)
or who seemed logical. Some didn’t prepare, but most were worth hearing. “I
told people, ‘If you can’t be funny, you can be interesting.’”

They were. Five people, sitting around talking, can be kind
of entertaining.

“The Approval Matrix,” 11 p.m. Mondays,
Sundance; reruns at 1:30 a.m.

Opener (Aug. 11) then reruns at 11:15 p.m.
Thursday, Aug. 14, and 1:45 p.m. Saturday, Aug. 16.

Ah, memories: A presidency crumbled on late-night TV

Four decades ago, we had reality-TV times 1,000. Real-life people kept showing up on a late-night talk show, to deny, defend or attack Watergate and its aftermath. Now that will be marked in an interesting PBS special Friday (Aug. 8); here's the story I sent to papers:


In the summer of 1974, Dick Cavett recalled, there was a
universal obsession.

It was “what somebody called ‘getting his Watergate fix’ ….
You couldn’t wait to get the latest news.”

That news kept coming, linking a “third-rate burglary” to
the president; it ranged from bureaucrats to spies. Then it imploded; at 9 p.m.
ET Aug. 8, Richard Nixon said he would resign.

Now, exactly 40 years later (to the minute, on some
stations), PBS has “Dick Cavett’s Watergate.”

Why Cavett? Because his ABC talk show had a steady stream of
Watergate guests. “Johnny (Carson) had the latest big-breasted singer and Merv
(Griffin) had somebody else,” said John Scheinfeld, producer of the special. “What
Dick did (was) had conversations.”

Some were with Watergate principals. “Suddenly,” Scheinfeld
said, “everybody wanted to come on.”

There were many from the Nixon side -- the bigger-than-life
G. Gordon Lidday (“he may be my favorite in the entertainment sense,” Cavett
said), the charming John Mitchell (“very likeable on the show”) and others who
didn’t come close. “Humor was not a great part of the administration,” he said.

And there was the other side – reporters (Bob Woodward and
Carl Bernstein), cynics (Gore Vidal) and more. The president was not amused; the
White House tapes have Nixon – who railed about the Eastern establishment and
Jews -- asking who Cavett is and whether he’s Jewish.  

“I thought it was interesting that Nixon might think I was a
Jew,” said Cavett, a Nebraska native (like Carson) and the grandson of a
Baptist minister. “He wanted to know how many Jews there were at the school his
daughter was going to go to in New York. He had a thing about that.”

The tapes – from a secret recording system Nixon had installed
in the White House – revealed many such personal flaws. “It’s a real talent,
when you’re guilty, to create the best audio record possible of your guilt,”
said Timothy Naftali, former head of the Nixon library. “He left us nearly
4,000 hours.”

What emerges, Scheinfeld said, was an overshadowing paranoia.
A centrist president and a “brilliant man, probably smarter than any four
presidents before and after him,” insisted on denying any connection to the
break-in of Democratic headquarters. The crime was small; the cover-up wasn’t.

Then he resigned and was pardoned by his successor, Gerald
Ford. Cavett said he now agrees with the pardon, as do Woodward and Bernstein
and “almost every right-minded person.”

Naftali disagrees – but admires Ford for making the
decision. “He was courageous. He was absolutely the right guy at the time to
take the stinger out of Watergate and let us all come down.”

“Dick Cavett’s Watergate,” 9 p.m. Friday, PBS
(check local listings)

Yes, comedy can get you fame and cupcakes

There's an odd desperation in the title "Please Like Me." The fact is that Josh Thomas is remarkably likable, a breezy and pleasant chap on a new network that's filled with idealism and optimism. The show starts Friday and reruns often; here's the story I sent to papers:


Fame can be a fine thing, when parceled out modestly.

Josh Thomas found that, shortly after returning to the U.S.
“I’ve only been recognized by a few people,” he said, “but they were good ones–
two attractive homosexuals and someone who gave me a cupcake.”

There will be more attention, when his “Please Like Me”
starts its second season on Pivot.

A year ago, Thomas was the face of Pivot – literally. When
the cable channel started (Aug. 1), his face filled the side of some Los
Angeles buses. Few Americans had heard of him or of Pivot. And now?

The channel, launched with 40 million satellite and
cable homes, has an appealing mix. It has reruns (“Buffy,” “Friday Night
Lights,” “Veronica Mars”), an interactive talk show co-hosted by Meghan McCain
and the kind of documentaries and movies that have scored for Pivot founder,
Jeff Skoll, a producer of “The Help,” “Lincoln,” “Fast Food Nation” and “An
Inconvenient Truth.”

Thomas’ show “made quite a few top-10 lists,”
said Belisa Balaban, Pivot’s original-programming chief. At 27, Thomas remains
a key and quirky symbol of this youthful channel.

Other shows are coming up, Balaban said: Oct. 17 brings the
return of the clever rap-improv “Freestyle Love Supreme” and the debut of a
reality show about “the coolest street in Los Angeles” … In January, Pivot’s
first drama series, “Fortitude,” arrives. For now, however, the focus is on two
amiable half-hours.

“Human Resources” is a reality show about a recycling firm. “What
Pivot stands for and what TerraCycle stands for are really similar,” said Tom Szaky,
who has quickly gone from marijuana-growing experiments (“Canada is a little
more flexible with that”) to recycling in 26 countries.

That’s followed by the return of “Please Like Me,” Thomas’
situation comedy. He said it was made “the same as we did Season One, just with
slightly more money, which is nice.”

In the first year, Pivot simply aired the six-episode season
that Thomas made in Australia (where he’s been a stand-up star since he was
17). That portrayed the stretch when he was trying to be heterosexual and when
his divorced mom attempted suicide. “It’s the light stuff,” Balaban joked, “but
it works.”

This second season finds him with a random life of friends, school
and would-be romance. His bi-polar mother boasts about her gay son; in a
fictional addition, his dad has a young wife and a baby.

That led to a season-opener highlight: When the baby fills
her diaper, Thomas takes her in the shower.

“They have a lot of laws about … not drowning a baby,” he
said. “We had to get the shower cleaned, because the house we filmed in wasn’t
clean enough to have a baby in. We had to get permission from the mum (and) put
the baby in nude underwear …. A baby in nude underwear is sort of creepy,

Not this one. “(Bleeping) adorable baby,” Thomas said. “I
mean, that’s television. No matter how bad my writing is, that’s going to be
popular, that scene.”

“Please Like Me,” 10:30 p.m. ET Fridays, Pivot,
rerunning at 1:30 a.m.

Opener (Aug. 8) reruns often, including 4:30
p.m. ET Aug. 13 and 8 and 11:30 p.m. Aug. 14