This show needed skill, fortitude and imported snow


"Fortitude" is a rare combination of British talent and Icelandic vistas. Visually impressive and dramatically strong, it's an impressive show for the emerging channel called Pivot. Here's the story I sent to papers:

By MIKE HUGHES

PASADENA, Cal. --
Dramas are supposed to sweep us away to other places and other moods.

Still, few have
taken actors – or viewers – as far as “Fortitude,” the
ambitious new cable show:

-- Actors were swept
to Iceland -- “beautiful country, beautiful people,” Luke
Treadaway said.

-- And viewers will
be taken to an Arctic village called Fortitude, where the thawing ice
holds secrets. “We needed to find a place where hidden things could
emerge,” said Simon Donald, the show's creator.

Yes, this is a
fictional town; still, it's modeled after a real one. Midway between
Norway and the North Pole is Longyearbyen, with fewer people (2,040)
than polar bears, fewer cars than snowmobiles.

Its coal mines are
almost gone, Donald said. “The industry that sustained this place
for 100 years is fading. They need to find some way to make the place
viable. Tourism and scientific research” help.

That real-life
Longyearbyen has a hotel, library, movie theater, sports hall,
school, mini-college and research station. The make-believe Fortitude
is similar, letting opposite worlds collide – rugged miners vs.
abstract scientists, tourist development vs. environment.

Employment is full,
crime is scarce and no one is sure if the sheriff is skilled. “He's
definitely a good cop,” said Richard Dormer, who plays him.
“Whether or not he's a good person is another question.”

Now, for the first
time, it has a big crime – so big that a British police detective
is sent to help. He's played by Stanley Tucci, an Oscar-nominee and
two-time Emmy-winner; a nature photographer is played by Sir Michael
Gambon, a four-time winner of the British equivalent of an Emmy.

Still, they're in
support. The core of the show is actors viewers aren't familiar with:

-- Dormer as the
sheriff – a classic role for an Irishman who grew up on “Kojak”
and “Hill Street Blues” and such. “I grew up idolizing
America,” he said.

-- Treadaway as
Vincent Rattrey, a scientist. In a town full of outsiders, he's the
latest newcomer. He's uncomfortable – the notion of a both-sexes
nude sauna is beyond him – and, by the end of the opener, in
trouble. “I'm taken in handcuffs to the police station,”
Treadaway said.

-- Veronica Echegui
as Elena Ledesma. At the hotel, she's a barmaid, waitress and
receptionist; she brings a foggy past and starts a sexual affair that
spurs tragedy. In short, Echegui said, she plays a consummate
outsider. “The fact that I'm Spanish helped.”

This was a huge
transformation – from growing up in sunny Madrid to filming in
Iceland. That's fine with her, Echegui insists. “I didn't like
being in a place as noisy as Madrid.”

She wanted some
other life and (against her parents' wishes) auditioned for Spain's
Royal School for Dramatic Arts. Only 30 people out of 3,000
auditioners get in, she said; “I thought there was no chance, so I
was not nervous at all.” She got in and launched a busy career.

Similarly, Dormer
and Treadaway were Irishmen who landed spots in drama academies. Busy
careers have followed; Treadaway is one of the only people to have
played a conjoined twin with his own twin.

These actors reached
Iceland, communing with locals -- “incredibly open and generous,”
Dormer said – and with other actors. “I was able to hear Michael
Gambon tell about his audition with (Sir Laurence) Olivier,”
Treadaway said. “He must have told the story 2,000 times, but it's
still wonderful.”

And then they were
outside, portraying Arctic people. “It was quite remote and got
extremely cold,” said director Sam Miller. “And then, bizarrely,
for a couple of weeks we had no snow.”

So they had to
import it; they brought ice to Iceland. Make-believe can be odd
sometimes.

-- “Fortitude,”
10 p.m. ET Thursdays, Pivot, repeating at 1 a.m.

-- Two-hour opener
is Jan. 29, with “Slumdog Millionaire” as its lead-in, at 7:30
p.m. ET.

-- Opener reruns at
10 p.m. Friday (preceded by “Glory” at 7), 10 p.m. Super Bowl
Sunday (preceded by “Winter's Bone” at 7:30), 11 p.m. Tuesday
(preceded by a “Buffy the Vampire Slayer” marathon).

-- Pivot reaches 47
million homes by satellite and digital cable. It leans toward movies,
documentaries, foreign shows and such reruns as “Buffy,”
“Farscape,” “Friday Night Lights” and “Veronica Mars.”

 

"Americans" stars: Opposite routes to a splendid result


This is a terrific time for cable's FX network, with two superb 10 p.m. dramas back-to-back -- "Justified" (which started its final season Jan. 20) on Tuesdays, "The Americans" (which starts its third season Jan. 28) on Wednesdays. There's also comedy -- a pretty good one ("Archer") now on Thursdays, an excellent one (Billy Crystal and Josh Gad in "The Comedians") coming up. Here's the "Americans" story I sent to papers:

 

By MIKE HUGHES

PASADENA, Cal. -- As
“The Americans” starts its new season – finding deep emotion
amid sex, spies and violence – we're reminded of something actor
John Shea said decades ago.

Actors can take
different routes to the same spot, he said. Some study intensively,
some learn by doing.

Shea saw that in his
career. He did the studying – Bates College, Yale Drama School
(where Meryl Streep was a classmate), Lee Strasberg's method-acting
classes; then he was stunned by the learn-by-doing talent of Sissy
Spacek (in the 1981 “Missing”) and Farrah Fawcett (1989 “Small
Sacrifices”).

Now that same point
is proven by “Americans” stars Matthew Rhys and Kerri Russell.

“There is just
more than one way to skin a cat,” Rhys agreed. “(We) have very
different ways of working, but we're very like-minded in sort of
taste and temperature and vision.”

He's the product of
a fancy, British-style education – first in Wales (where his mom
was a teacher and his dad was headmaster), then at the Royal Academy
of Dramatic Art.

And she? “I think
'The Mickey Mouse Club' was very fancy as well,” Russell
deadpanned.

She made her TV
debut at 15, as an “MMC” regular, and stayed for three years.
Subsequent shows – comedies and the teen-angst “Malibu Shore”
-- were undemanidng. Then, suddenly, she was an actress.

Jill Clayburgh
noticed that after playing Russell's mother in “When Innocence is
Lost”; many people noticed it in “Felicity.” Russell won a
Golden Globe as Felicity; for “Americans,” she and Rhys drew
Critics Choice nominations in each of their first two seasons.

There's been much
more: The Television Critics Association has nominated Rhys both
years; it named “Americans” the best new series in 2013 and
nominated it for best series in 2014. Both years, the American Film
Institute called it one of the 10 best shows. This is far from
“Maibu Shores” turf.

Consider it “maybe
the nature of getting older,” said Russell, 38. “Things get more
intertesting.”

She and Rhys play
Russian spies, disguising for decades as ordinary suburbanites and
fooling even their own children. At times, they must also pretend to
be other people.

These are not showy
transformationss, Rhys said. “You keep the lie as close to the
truth as possible.”

Still, it's complex:
Actors portray people who are living a lie ... and then those people
portray others.

The key moments are
often the subtle ones at home. The season-opener silently shows
Russell's face as a phone call brings devastating news from Russia.

Most of the toughest
scenes are personal ... especially now that their bosses want them to
tell Paige, their teen daughter, who they really are and then involve
her in their schemes.

Such things have
really happened, producer Joe Weisberg said. “There are a couple of
historical examples ... where the kids were recruited into the
(Russian) service.”

That brings new
disputes. Philip (Rhys), who flirts with the idea of quitting, wants
to keep the kids out of this; Elizabeth (Russell), a hard-liner,
disagrees and fumes at Paige's interest in Christianity.

“She's this
mother who's watching a daughter being indocrinated (in something)
that is so polar opposite to what she believes,” Russell said. If
Paige is going to be indoctrinated, she feels, “it's going to be by
me. It's not going to be by some kid with a guitar.”

That's complex
territory. And yes, it's a long way from “Malibu Shores” and the
Mickey Mouse Club.

“The Americans,”
10 p.m. Wednesdays, FX

Third season opens
Jan. 28, reruns at 11:06 p.m. and 1:26 a.m.

 

Ah, the pirates' life for these guys


"Black Sails" returns Saturday (Jan. 24), getting its new season off to a strong start. Here's the story I sent to papers, about the show's stars:

By MIKE HUGHES

PASADENA, Cal. --
Two powerful forces – the sea and the stage – rippled through the
childhoods of the “Black Sails” stars.

Both are from island
nations. Toby Stephens (from England) is the son of theater stars;
Luke Arnold (from Australia) tried rock 'n' roll. Now comes their
ideal job – playing pirates. “Black Sails” has:

-- John Silver, the
young outsider. “In his mind, he's never going to be part of the
pirate world, so he might as well speak his mind,” said Arnold, who
plays him.

-- Captain Flint.
Unlike his motley crew, he's educated and ambitious. “He is
obviously different from all the others,” said Stephens, who plays
him

And as the first
season ended, he'd hit bottom. He lied to his men ... killed his
quartermaster, Gates ... and failed to get the treasure. The men
voted him out.

“He's just killed
his best friend,” Stephens said. “The only person he's left with
is Silver – who is the last person he wants to be allied with ....
Where that takes us is quite fun, I think.”

And where the show
has taken the actors is to Capetown, South Africa.

It's a “massive
set that feels so functional,” said Jessica Parker Kennedy, who
plays Max, an ambitious prostitute. “We have 500 extras on any
given day. The set is full of animals. Everything feels so
tremendously realistic. (And) those ridiculously giant, life-sized
ships.”

This has always been
key for Arnold. He had a pirate party for his fifth birthday; in high
school, his family moved from Sydney to Queensland, where he went to
the exotically named Sunset Beach High School. “We'd go to the
beach three times a day,” he said.

He went to an arts
academy (“the best three years of my life”) and toyed with dreams
of rock stardom ... which he achieved fictionally: Last year, he
starred in an Australian TV movie about the late Michael Hutchence of
INXS singer. Now, at 30, he's playing another epic character – the
young man who would later become Long John Silver of “Treasure
Island.”

It's a rugged role,
with Silver despised by his fellow pirates, Arnold said. Even in
make-believe, “spending a day being beaten up on set still leaves
you feel like you've been beaten up all day.”

And it's an active
show; Stephens said he's happy about that: “I'm not in a drawing
room, asking people who wants some more tea.”

He's done his share
of tea-time dramas, in his family's tradition. His mother, Dame
Maggie Smith, is a two-time Oscar-winner and a three-time Emmy-winner
(twice for “Downton Abbey”); his father, Robert Stephens, was a
top stage star who stumbled with divorce and alcoholism, then revived
his career with Shakespearean roles before his death at 64.

“I saw a lot of
Shakespeare,” Toby Stephens recalled. “I'd seen half the canon by
the time I was 8.”

Moving around with
his mother, he got the knack of making a quick impression ... but not
of digging into classes. “I wasn't learning anything,” he admits.
So at 7, he was sent to boarding school; two years later, he thrived
at a poetry-reading contest and was on his way.

Fresh from the
London Academy of Music and Dramatic Art, Stephens became the
youngest person to star as Coriolanus for the Royal Shakespeare
Company. At 45, he's done classic roles, from Hamlet to Rochester
(“Jane Eyre”) and Stanley Kowalski (“A Streecar Named Desire”);
he's been both James Bond (on radio) and a Bond villain (in “Die
Another Day”).

Like many actors
before him – William Shatner, Patrick Stewart, Avery Brooks –
he's found Shakespeare to be the perfect preparation for playing a
captain. The difference is that they captained noble “Star Trek”
crews; Stephens has a band of pirates, with dark hearts and black
sails

-- “Black Sails,”
9 p.m. Saturdays, Starz; season-opener, Jan. 24, repeats at 10:02 and
11:05 p.m.

-- Reruns the next
day at 11:30 a.m., and 2:50, 8, 9 and 10:10 p.m.

-- Opener also
reruns at 10 p.m. Tuesday (Jan. 27), 9 p.m. Jan. 28, 3 p.m. Jan. 29,
10:50 p.m. Jan. 30.

 

He's mean, he's nasty ... he's just right for TV


Things have been tough for the Fox network lately, but ratings should perk up a bit. "American Idol" is back, "Empire" got off to a good start ... and now the amiably quirky "Backstrom" debuts Thursday (Jan. 22). Here's the story I sent to papers:

By MIKE HUGHES

Sure, there are
nice, normal, neighborly folks who catch crooks or cure patients.
They're just not always considered interesting on television.

So TV gives us
“House” and “Bones” and “Elementary” and “Wallander”
and “The Mentalist” and more. It gives us characters who are long
on talent and short on social skills.

And now Fox has
“Backstrom.” Like PBS' “Wallander,” it's based on
Scandinavian novels about a police detective; like many shows, its
hero isn't very happy about people or life.

“In the books,
Backstrom has absolutely no redeeming values,” said writer-producer
Hart Hanson. “He's not even a very good detective; he just takes
credit for what other people do .... He's just awful.”

Adapting the books
for TV, Hanson made Backstrom skillful at work, but socially inept
... sort of like Brennan in his “Bones” series. But he kept the
meanness.

Ironically, Hanson
seems to be a pleasant guy. “I am an apparently genial Canadian
man,” he conceded.

You don't expect him
to write anything nasty. “Look how affable and pasty and delightful
(he is),” said Rainn Wilson, who stars. “You just want to hug
him. But there is a Backstrom that is inside of him, waiting to burst
out of his chest like an alien.”

The same contrast
exists with Wilson, who seems to be a genial bloke. He grew up in the
Bahai faith and spent some teen years in Winnetka, Ill., where his
parents worked at the Bahai National Center. At press sessions, he
tends to have a sly grin; in “The Office,” he made the villain
(Dwight) an affable oaf.

“We all have our
demons,” Wilson said. “I think part of the job as an actor is to
find what your relation is for any character.”

Also, he decided
Backstrom isn't as evil as he first seems. “You're like, 'Oh wow,
this guy's a racist and a sexist,'” Wilson said. “And then you
kind of go: 'Oh, wow, you know what? He kind of hates everybody.'
Then you kind of go, 'Oh wow, he hates himself worse than he hates
anyone else.'”

And plunked
alongside him are the sort of people he insults.

“My character is a
blatant homosexual living with him,” Thomas Dekker said. “They're
both equally bitter and misanthropic.”

Then there's a
police colleague (and lay minister) played by Dennis Haysbert, using
the sense of authority he's shown in “24” (as President Palmer)
and in insurance commercials. “My journey,” he said, “is to
figure out: 'OK, why would (Backstrom) stand in front of a
6-foot-4-inch black man with a gun and say (racist quips)?”

Then again, Wilson
and Kristoffer Polaha are both near 6-foot-3; the “Backstrom”
debates are held at a high level ... except for Genevieve Angelson,
who plays a young cop.

“I am 5-foot-4,”
she said. “And I spent six months (standing) on an apple box.”

There, she stood
between verbal barrages by mean-and-brainy crimesolvers. It's the TV
way.

-- “Backstrom,”
9 p.m. Thursdays, Fox; debuting Jan. 22

 

"Jane the Virgin" is ready for our attention


One of the happier storieas from the first half of the TV season is the emergence of "Jane the Virgin" as a smart, funny. All it needs now is an audience. The show returns Monday (Jan. 19) form a month of reruns; here's the story I sent to papers:

By MIKE HUGHES

LOS ANGELES -- At
first, “Jane the Virgin” descended into anonymity – the sort of
dark depths only a CW show can see.

Ratings were
miniscule. In a typical week, “The Big Bang Theory” has more than
11 times as many viewers; a recent “Jane” rerun drew 700,000
viewers, tied for dead-last among 110 primetime shows.

But now comes a
burst of attention. It includes:

-- A Golden Globe
for best actress in a comedy. As she rushed up to the stage, Gina
Rodriguez said, her mind was aswirl. “I was thinking, 'Don't trip,
thank God, thank God, don't trip, is that Oprah?, don't trip, that IS
Oprah, don't trip.'”

-- A Golden Globe
nomination for best comedy series. It was the only broadcast show on
the list.

-- A spot on the
American Film Institute's list of the year's 10 best TV shows. Only
one other broacast show (“How to Get Away With Murder”) made the
list.

-- And the key news:
“Jane” – and everything else on this fall's CW lineup – has
already been renewed for next season. “We didn't have a very high
bar” in the 9 p.m. Monday slot, said Mark Pedowitz, the network
programming chief. “(It's) a quality show; just give it time.”

Besides, this show
follows a CW trend: Several hour-long shows -- “Jane,” “The
Flash,” “Hart of Dixie” and the upcoming “iZombie” -- are
dramas that add comedy and (sometimes) a cheery look. “We purposely
last year went out to make these shows brighter and funnier,”
Pedowitz said.

That bright feel is
clear on the show's set. “There's a lot of turquoise and coral,”
said producer Jennie Urman, who studied real Miami hotels for the
look.

The feeling was
obvious to reporters who had just been at the deliberately dark
“Scorpion” set occupied by techie characters; now they were
stepping into a sunny Miami world. “We have people from that show
(“Scorpion”) come over here and just go 'aaaah,'” said Justin
Baldoni.

He plays the heir to
a hotel fortune whose sperm accidentally impregnated sweet Jane.
Showing off his character's hotel suite -- “I could fit my whole
apartment (from earlier days) in half of this” -- he granted that
color schemes can be crucial.

“Colors affect
your mood,” Baldoni said. “When you're in Miami, you have a whole
different mood .... Look at children's hospitals and what they do.”

And on the “Jane”
set these days, the mood seems bubbly.

The show is adapted
from a telenovela – a style of Spanish-language, limited-length
show that's big in Latin America. Soap fans get the general idea,
Urman said. “We understand what an evil twin is” and know that
“dead” characters can return.

Besides, “Jane”
has a droll narrator and extra words that pop up onscreen. “It
gives us another level to tell stories,” Urmans said.

Some of the “Jane”
people grew up far from Miami; Rodriguez is from Chicago, Baldoni is
from an Italian-and-Jewish family in Oregon, and doesn't speak
Spanish.

But on the set, it's
easy to become part of this world. At times, Baldoni said, actors
forget that the sturdy-looking pillars actually move when you lean
against them.

“It all seems very
bright and glamorous,” he said. “Then you bump into a wall.”

“Jane the Virgin,”
9 p.m. Mondays, CW

Returns to new
episodes Jan. 19, after a month of reruns