The Rebecca Eaton era is ending at “Masterpiece.” It has been … well, mostly masterful.
At its peak, it has provided some of the finest moments on television – “Downton Abbey” (shown here), “Prime Suspect,” “Wallander,” “Sherlock” and more, including “Little Women” and “Bleak House” reboots.
At its low point, it’s merely been bland, such as the recent “The Chaperone.” Then it has bounced back.
PBS announced recently that Eaton, 72, is being “promoted” to “executive-producer-at-large.” She’ll work at developing new drama projects, while also fundraising for The Masterpiece Trust, which has raised $20 million since she launched it eight years ago. Read more…
As moon-landing films fill our TV screens, something becomes clear:
The world has changed profoundly in the past 50 years. These documentaries show a 1969 when:
— Americans obsessed on the Soviet threat. It “really was kind of war by another means,” said Robert Stone, whose three-night film starts Monday (July 8) on PBS.
— The space program was all-white. It went 23 years before having a black man in space.
— And it was virtually all-male (as shown in this celebration photo). You can ask Poppy Northcutt, who was then the lone woman at Mission Control. Read more…
Megan Hilty has built an impressive life from second-hand parts.
“Most of my career (is) basically stuff that other people have already made ridiculously famous,” said Hilty, who has a special Friday (May 24) on PBS.
That started as Kristen Chenoweth’s stand-by in “Wicked,” on Broadway. “It was terrifying …. My Broadway debut, I had two-hours’ notice. It was opposite Idina Menzel, shortly after she won her Tony. And I’d never done the show with people before.” Read more…