There really is good news (occasionally) in the TV world.
Now we have fresh examples: “Ted Lasso” is returning … “Dark Winds” is prospering … And natural-world documentaries keep getting better. Details: Read more…
(Here, from the start, is the book-in-progress, “Television, and How It Got That Way.” I’ll continue to post new chapters separately under “Stories.” After that, however, I’ll move each to its spot here.
This is Section One – “The Good Old Days (sometimes)” – and Chapter One.
To see how far TV has come, let’s step back a bit.
We’ll go to 1952 in Clintonville, a Wisconsin town of 4,600, known for big, tough trucks and (back then) big, tough football players.
I’m in the living room with my sister, our parents, a grandmother and a grandfather. Stationed a reasonable distance from the TV set, we are watching … well, a man playing records.
The man says what record he’s playing and starts it. Sometimes, the camera shows the record going around; sometimes it shows the man watching the record go around. Read more…
\For screenwriters, there’s a helpful chaos theory.
It’s one of the reasons that “Anora” (shown here) – in theaters now, on Hulu starting March 17 – was a worthy winner of five Academy Awards, including best picture.
That still doesn’t mean everyone should rush to see it. This film has enough of many things – sex, nudity, language – to disrupt fragile souls and bring arrests in fragile nations.
But it also has much more – great characters, perfect performances (especially by Oscar-winner Mikey Madison) and clever chaos. Read more…
The CW network will continue to keep Wednesdays as its oasis of new, scripted shows.
This spring, that will include the debut of “Sherlock & Daughter,” the return of “Children Ruin Everything” and the third season of “Sullivan’s Crossing” (shown here) … just five months after the second one ended. Read more…
This year’s Academy Award show gave us 31 great minutes.
It also gave us 194 not-great (and, sometimes, not good at all) minutes. But at least we got something.
The great ones were at the very start. There was a musical burst from Ariana Grande and Cynthia Erivo that took an 85-year leap from “Over the Rainbow” to “Defying Gravity.”
Then came Conan O’Brien’s sharp monolog. (We’ll forgive his nasty mini-film that preceded it; O’Brien made up for that later with a terrific little film introducing younger generations to movie theaters.) Read more…
For fans of TV drama, there’s some good news:
“Doc” will be back next season on Fox – this time for 22 episodes. Also, other shows – led by ABC’s “Grey’s Anatomy” – are set for their spring return.
Based on an Italian series, “Doc” started with an offbeat notion: After a car accident, a doctor has lost eight years of memories, both medical and personal. She struggles to revive her career and her life.
That may sound like a stretch, but the cast (led by Molly Parker, shown here) and the writing make it work. Read more…
CBS has a fresh way to launch a music talent show.
Very simply, it will use the stars from other networks’ shows.
“The Road,” this fall, will feature Keith Urban (shown here) (previously on “American Idol,” and Blake Shelton, previously on “The Voice.” Shelton will produce it with Taylor Sheridan, the “Yellowstone” creator, and others. Read more…
The Academy Awards will have a different approach to music this year.
Gone are the separate performances – some good, some bad – of the five nominated songs. Instead, the show will have what it calls music celebrating filmmaking and its legends.
Performing that night (7 p.m. ET Sunday, March 2, on ABC) are:
Read more…
One day, we’re told, a Juilliard professor heard something upsetting.
Someone was performing an adjusted version of a classic. He stomped in, asking who dared to edit Rachmaninoff.
He found Hazel Scott, age 8, at the piano. She had made changes because her hands weren’t yet big enough for some of the moves.
Scott (shown here) would soon become Juilliard’s youngest student. And, in her teens, the youngest performer at the elegant Cafe Society. And, at 22, the spark for a brief movie strike. And, later, a star on TV and in Paris.
That’s told in a fascinating “American Masters,” at 9 p.m. Friday (Feb. 21) on PBS. Add an “American Experience” profile of Walter White (9-11 p.m. Tuesday, Feb. 25) and you have a strong finish to Black History Month. Read more…
For a moment there, the 50-year celebration of “Saturday Night Live” seemed to be veering off-course. Then it kept getting better, funnier, more entertaining.
The night (Feb. 16) started with a great monolog by Steve Martin (shown here), but followed with several sketches that were long on commotion and short on wit. Such sketches are a part of the “SNL” tradition, but why front-load them?
Just in time, however, the special rebounded with a bit involving questions from the audience. Interestingly, a football guy (Peyton Manning) had some of the best lines. Read more…
