For months, show-business has been adjusting to a less-is-more approach.
At times, the result can be splendid. Kelli O’Hara showed that with gorgeous solos during PBS specials for Memorial Day and the 4th of July.
But now there’s a flip side – a reminder that more is more. Viewers will see her Christmas concert (shown here), taped a year ago with the Tabernacle Choir.
“It’s so moving to hear that sound,” she said. “It’s like an ocean wave washing over you.” Read more…
For four decades, “A Capitol Fourth” has had a cozy place in holiday plans.
It was a choice – a traffic-free, mosquito-free way to catch music and fireworks on the 4th of July. Some years, it was PBS’ most-watched show.
And now? Suddenly, it’s gone from being “a choice” to being almost “the only choice.” With cities canceling fireworks — and with only one other network (NBC) stepping in – “Capitol Fourth” (shown here in a previous year, with Kelli O’Hara) gets a fresh focus.
“So many people have called, wanting to be part of this,” said Michael Colbert, the producer. “We have 15 new performances – the most we’ve ever had.” Read more…
Right now, PBS is helpfully reminding us of a key fact: Musicals can be very different. Very.
Last Friday (Nov. 1), the network had the relentlessly shallow “42nd Street.” It had sharp songs, zesty dancers … and a plot so thin that some (but not all) actors gave campy performances.
And this Friday (9 p.m. Nov. 8)? “The King and I” (shown here) is pretty much the opposite. It has some flaws, but dead-serious intentions.
Both are part of TV’s current musicals surge, outlined in stories at the left. Now for a few “King” comments: Read more…