1) “Chicago P.D.,” 10 p.m., NBC. For Kim (Marina Squerciati, shown here, front, in a previous episode), here’s a potent hour on two fronts. At home, she’s working on adopting a sweet and troubled girl whose mother was murdered. At work, she and other cops start with a body that landed on a car, then get into something much bigger. It’s a solid story and “P.D.” – the best of NBC’s three Chicago shows – does it well. Read more…
1) “Prodigal Son,” 9 p.m., Fox. Last week, a jailbreak set three people free – including Malcolm’s dad, who is both a charming surgeon and a serial killer. Now the search begins, as Malcolm works with a federal marshal (shown here, left), his sister, their mother and the prison doctor (Catherine Zeta-Jones). It’s an intense hour that delivers some surprises – then pushes things ahead to next week. Read more…
New people keep jumping to the streaming side of television … including some who were doing just fine without it.
Now “Girls5Eva” (shown here) arrives Thursday (May 6) on Peacock, mixing brash comedy and bubbly songs. It’s produced by Tina Fey, whose previous shows have prospered on NBC, in movie theaters, even on Broadway.
Why switch to a streaming network? Some people do that so they can use adult material, but this show is “really pretty clean and watchable,” Fey said.
Better reasons? Streamers offer more flexibility in the length of episodes – “which, with music, is a huge help,” said Robert Carlock, Fey’s producing partner – and in the number of them. “You can make a boutique amount of episodes,” Fey said. Read more…
1) “American Masters: Amy Tan: Unintended Memoir,” 9-11 p.m., PBS. Tan (shown here) was a successful business writer, working on “all the subjects I had no interest in.” She was interested in people – and had known some vivid ones. Her sweet-spirited father and brother died of brain tumors, leaving her, she said, as “a very angry girl … with this crazy, suicidal mother.” Later, fictionalizing slightly, she wrote “The Joy Luck Club”; she had a best-seller at 36, with more to follow. Here’s a fascinating proile. Read more…
In the vast void of summer TV, is there a place for new, scripted shows?
We’ll find out this year, when the CW network makes a huge push. This summer, it will start the seasons of eight scripted shows (including “Dead Pixels,” shown here) … return two others after long rests … and continue five spring shows that overlap deep into the summer.
That follows the 2020 slump, when the COVID lockdown crippled networks’ summer schedules.
For this year, networks are planning a return to normal. But that means reality shows – “America’s Got Talent,” “Bachelorette,” “Big Brother,” etc. – plus a pile of ABC games. Broadcast networks are avoiding new, scripted shows in the summer … except for PBS on Sundays and CW almost every day. Read more…
Amy Tan was 15 when her world disintegrated.
“My brother was dying and then my father was dying,” she told the Television Critics Association . “My mother became a little unbalanced … . She and I had many arguments.”
In a six-month stretch, she lost two people to brain cancer; she was soon whisked from California to Switzerland by her mother, who had known previous depths of despair.
Tan, 69, has told versions of these stories often – in “The Joy Luck Club,” which became a best-seller when she was 36 (shown here) in other novels and in non-fiction. Now they’re in an intriguing PBS documemtary Monday (May 3). But alongside all the agony, there’s also a surprising layer of fun. Read more…
1) “The Story of Latenight,” 9 p.m. and midnight ET, CNN. It was almost 60 years ago that TV jumped into the giant, late-night void. After launching “Today,” NBC’s Pat Weaver (Sigourney’s dad) started “Tonight” in 1952. He wanted news and sports; Steve Allen (shown here), the host, preferred comedy, music and talk. The result, one person says, was “chaotic” and “joyous.” When Allen went to prime time, NBC stumbled, then discovered Jack Paar and Johnny Carson … which is where this fun opener ends. Read more…
1) “The Voice” (shown here), 8-10 p.m. today, NBC. In a sudden surprise, this ratings-leader has the night to itself. It had been competing with “American Idol,” and winning by 3-2 margins. (“Voice” ratings have dropped 10 percent this year, but “Idol” on Monday is down 27 percent; in the 18-49 age groups, the drops are steeper.) Now “Idol” has been pulled from Monday; it’s Sundays-only, concluding May 23. Tonight, with 16 of its final 17 chosen, “Voice” will pause to review the season and the 19 previous seasons. Read more…
There’s a quick change for Monday-night TV: Cartoons are in; “American Idol” is out.
“Idol” will remain on Sundays, picking a champion on May 23. The Monday editions, however, are gone; instead, ABC is reviving its old “Wonderful World of Disney” banner; that starts May 3 with “The Incredibles 2” (shown here).
Like most shows, “Idol” has seen ts ratings crumble this season. On Sundays, its total viewership is down 15 percent, which is about average; but in the key 18-49 age group, that’s down 27 percent.
And on Mondays – when the show goes eye-to-eye with NBC’s “The Voice” – the decline is huge: “Idol” is down 27 percent overall, and 46 percent in ages 18-49. Read more…
1) “Tenet” (2020), 8 p.m., HBO. Here’s the film that tried to revive moviegoing. Christoper Nolan (“Inception”) spent $200 million for a time-twisting science-fiction film starring John David Washington (shown here) aimed at big screens. Americans, however, weren’t ready to go back to theaters; it made only $58.5 million here and in Canada, doing better overseas. In the aftermath, other big-budget films were delayed or moved to streaming. “Tenet” did win an Oscar for its special effects and a nomination for its set design. Read more…
