Stories

Here’s a breakdown of all the new broadcast shows

The new TV season is strong on mysteries (including “High Potential,” shown here), weaker on comedies, with a bit of non-fiction thrown in.
A previous story took an overview of the season for broadcast networks. Now here’s a show-by-show breakdown of what’s new; shows are listed chronologically, within each category.

MYSTERY
— “Moonflower Murders,” Sept. 15. In “Magpie Murders,” a book editor pondered two murders – one in a novel (set in the 1950s) and another in real life. Now she’s back at it. A book – based on a real-life murder – has hints about the real killer; one woman read it and fled. The six-week tale weaves cleverly between past and present, real and fictional. (9 p.m. Sundays, PBS).

— “High Potential,” Sept. 17. As a single mom with three kids, Morgan is a cleaning lady with little chance to flex her genius IQ. Now, however, she’s helping the police. Kaitlin Olson of “It’s Always Sunny in Philadelphia” stars. (10 p.m. Tuesdays, ABC.) Read more…

New season: small and slow, but promising

By American tradition, there are three big events each September.
It’s the start of the school year, the football season and the TV season.
Now the first two are here and in full form. But the TV season?
Most years, each big, broadcast network has about five new, scripted shows, most of them starting in September.
This year, there are four on CBS (including “Georgie & Mandy’s First Marriage,” shown here), three each on NBC and Fox, two on ABC, one on CW. Seven start in September, four wait until October, one until Nov. 12. Read more…

It’s time for mystery writers, nasty and nice

In a war of words, Anthony Horowitz could easily top Alan Conway.
Both are writers, but Horowitz is sharper, smarter and more real. Conway, his fictional creation, is an unpleasant chap.
He’s “the exact opposite of me,” Horowitz told the Television Critics Association. “And I have a lot of fun having a dig at him.”
Conway was killed in PBS’ “Magpie Murders.” He’s back (via flashbacks) in “Moonflower Murders” (shown here) at 9 p.m. on six Sundays, starting Sept. 15 — again implying that mystery writers are a nasty bunch. No one should marry one, he says, because they’re the most self-centered people in the world.
In real life, Jill Green did marry a mystery writer and seems happy about it. She and Horowitz have been married for 36 years; she’s the producer for many of his shows, including “Foyle’s War,” “Alex Rider,” “Moonflower” and more. “We can still argue in a room, … but I love it,” she said. Read more…

A friend spurred Lithgow’s thundering heroics

If you move into a new place, a good friend will give you a floral arrangement or a fruit plate.
A great one will give you a horse.
The latter describes Rex Linn. “I bought some land in Montana,” John Lithgow said. “He told me, ‘You can’t own that land and not have a horse.”
The result is reflected 30 years later, when “The Old Man” starts its second season, at 10 p.m. Sept. 12 on FX. There is Lithgow (shown here, left, with Jeff Bridges) – not usually an action hero – riding a horse and wielding a rifle. “It’s perfect heaven,” he said. Read more…

Quirky series leads (slowly) to cable success

Imagine you’re a young writer/actor, long on ideas and short on opportunity.
You could take the approach of Brian Jordan Alvarez. He made a quirky, low-budget digital series; praise and a big-time cable series followed promptly.
Well, semi-promptly. Alvarez’s “English Teacher” (shown here) debuts at 10 p.m. ET Monday (Sept. 2) on FX … eight years after his “The Gay and Wonderful Life of Caleb Gallo” was named the year’s best web series.
“I had sort of tried to make my way through the studio system,” said Alvarez, 37. “And I had failed in a variety of ways. I really couldn’t figure out how to get through it.” Read more…

Suddenly, Netflix has a trove of AMC dramas

For Netflix viewers, this is an unexpected bonanza.
On Monday (Aug. 19), they’ll suddenly add 13 series. Most are pretty good; some are sort of great.
All arrive from the AMC cable network, for a one-year stay on Netflix. That includes “Walking Dead” and Anne Rice tales (including “Interview With the Vampire,” shown here), plus others – “Dark Winds,” “Monsieur Spade” – that are less-known, but beautifully crafted.
Their journey tells a lot about recent TV changes: Read more…

“Baywatch”: no sonnets, but great bodies

David Chokachi summed up his duties with admirable accuracy.
“We weren’t … doing Shakespeare.” he said. “We were doing ‘Baywatch.’”
Yes, there’s a difference, “Baywatch” (shown here) had no sonnets or soliloquies, but lots of running, rescuing and red swimwear.
Sometimes, that’s enough. “It succeeded beyond everybody’s expectation,” Chokachi told the Television Critics Association. “A billion viewers – we’re in the Guinness Book of World Records.”
It also influenced people’s decisions – geographic, vocational and more. Just ask Matthew Felker, who directed “After Baywatch,” a documentary arriving Aug. 27 on Hulu. Read more…

Hallmark joins the plus party, in a big way

No one would accuse Hallmark of being trendy or jumpy.
The company has been around for 114 years, still family-owned. For years, its cable channels seemed to keep re-making the same movie.
But now it’s joining TV’s biggest trend – streaming services with a “+” in their names. And it’s doing it in a surprisingly ambitious way with everything from a mini-series (“Holidazed, shown here with Erin Cahill) to reality shows.
“Hallmark+ will be more than just a streaming platform,” Mike Perry, the Hallmark CEO, said. “It will be the very best of Hallmark all in one place.”
Details arrived Aug. 14 (see separate story), but the general idea was sketched earlier, at Television Critics Association sessions:
Read more…

Counting the votes? Here (really) is bipartisan consensus

As the election nears, we can fret about all the ways that vote-counts can go wrong. Or we can marvel that they rarely do.
“Think about what a miracle an election is,” said David Becker, head of the non-partisan Center for Election Innovation and Research. “We count 160 million pieces of paper” and do it “exceptionally fast.”
And it’s done in a wildly decentralized way. “We practice a fierce federalism,” said Ralph Ginsberg, a Republican election lawyer for 40 years.
Each state sets its own rules, often leaving room for local variations. The result, Becker said, is “a system of 10,000 different jurisdictions and hundreds of thousands of volunteers.”
They were talking to the Television Critics Association about “Counting the Vote,” a Margaret Hoover (shown here) film that airs Aug. 27 on PBS. And this was a truly bi-partisan collection. Read more…

Enough dragons; it’s time to face bankers

Kit Harington has sort of been here before – in a sprawling HBO series, filled with ambitious souls straining for power.
This time, however, there are fewer dragons and less danger. Banks are like that.
His first film role, as Jon Snow in “Game of Thrones,” flung him into stardom. Now Harington (shown here, right) joins “Industry,” which is set in the upper-tier world of British banking. It starts its third season at 9 p.m. Sunday (Aug. 11) on HBO and Max.
He’s Sir Henry Muck, CEO of a tech firm. The role is “very much about the British class system,” said Harington, who grew up in upper-class comfort. Read more…