Rebecca Eaton

Cozy and not, PBS savors its mysteries

(This is the second of two stories; the first was an overview of TV mysteries, “cozy” and not.)
These days, mystery shows reach our TV sets from all sides — streaming, cable, broadcast and beyond. They range from “cozy mysteries” (including “Miss Scarlet,” shown here) to their opposite.
A generation ago, however, PBS virtually had a mystery monopoly.
The British, after all, were the mystery masters. And “until the late 1980s, there hadn’t been much competition for British drama,” Rebecca Eaton wrote in “Making Masterpiece” (Viking, 2013). Read more…

The Eaton era: masterful “Masterpiece”

The Rebecca Eaton era is ending at “Masterpiece.” It has been … well, mostly masterful.
At its peak, it has provided some of the finest moments on television – “Downton Abbey” (shown here), “Prime Suspect,” “Wallander,” “Sherlock” and more, including “Little Women” and “Bleak House” reboots.
At its low point, it’s merely been bland, such as the recent “The Chaperone.” Then it has bounced back.
PBS announced recently that Eaton, 72, is being “promoted” to “executive-producer-at-large.” She’ll work at developing new drama projects, while also fundraising for The Masterpiece Trust, which has raised $20 million since she launched it eight years ago. Read more…