TV We Love

Cheers for low-concept, high-quality comedies

(This is the “Raymond”/”Cheers” over view that was written previously. Now CBS has set a rerun of the “Everybody Loves Raymond” reunion for 9 p.m. Nov. 28.)
When Les Moonves took over CBS, he was in a hurry.
The network’s only top-15 show was “60 Minutes.” He needed something that would make a quick impact.
“I was told he wanted high-profile shows with big stars,” Phil Rosenthal recalled in his memoir. “What chance did we have?”
He had a semi-known star (Ray Romano), in a show that was mostly family members talking. But Moonves liked it and audiences gradually agreed. From 8-9:30 p.m. Monday (Nov. 24), CBS will celebrate the 30th anniversary of “Everybody Loves Raymond” (shwon here).
That same night, “TV We Love” (9-10 p.m. on CW) will celebrate “Cheers,” a show in a similar mode: It started with no stars (Sid Caesar and William Devane auditioned unsuccessfully) and an unflashy format; it scored big. Read more…

It was “The Love Boat” or “Hate It Boat”

So there we were in 1984, at a Television Critics Association session.
Jac Venza, founder of PBS’ “Great Performances” series, was talking about its latest “Dance in America” special. It had “A Song For Dead Warriors,” by the San Francisco Ballet.
And, Venza told us proudly, we might be familiar with the composer, Charles Fox. He wrote the theme song for “The Love Boat.”
At this point, we promptly did what critics do. We moaned, groaned and offered a general air of derision … before Venza could continue: “And here he is: Charles Fox.” Read more…

“Brady Bunch”: silly fun, simmering anger

Bright and bouncy, “The Brady Bunch” just wanted to have fun.
It had cute kids, pretty parents and lots of sight gags. So what was it like making the show?
Rough, Lloyd Schwartz says in “TV We Love,” at 8 p.m. Monday (Oct. 20) on CW. Robert Reed (shown here, alongside his TV wife Florence Henderson and two of their daughters) “fought constantly” about scripts.
Reed — who died of cancer in 1992, at 59 — was outspoken about his anger, especially toward the “Brady” creator.
“It was a well-known fact in Hollywood that Sherwood Schwartz was absolutely the worst writer working in television,” he once said. “But that all changed one day (with) one writer who was even worse. It was Lloyd, Sherwood’s son.” Read more…