Stories

Dionne Warwick: decades of soaring pop songs

Dionne Warwick’s voice floats through large chunks of pop-music history.
She’s had about a dozen top-10 hits, spanning 23 years … plus 40-some other singles on the charts. She’s sung everywhere, done everything. But that’s just the start, Dave Wooley said.
“Dionne (shown here) is a genius,” said Wooley, writer and co-director of “Dionne Warwick: Don’t Make Me Over,” which debuts at 9 p.m.ET New Year’s Day on CNN. “And I don’t just mean a music genius.” Read more…

For Fox’s dramas, these are turbulent times

The Fox network’s scripted shows are in a state of transformation. Or, maybe, turbulence. Consider:
— “Monarch,” Fox’s big plunge for this fall, has been canceled.
— “The Resident” (shown here), a consistently well-made show, has been trimmed. Last season, it had 23 new episodes; this season, it has 13, with the final new ones on Jan, 3, 10 and 17.
— The best launching pad for a new drama – after the Super Bowl – won’t go to a scripted show … or to any new show. Instead, it will start the second season of Gordon Ramsay’s “Next Level Chef.” Read more…

A non-flop propelled her career of music and more

Fresh from a classy British drama school, Karen David jumped into her first professional job.
It seemed like an odd one at the time – a musical that simply patched together pop hits.
“I remember all my classmates just saying, ‘You’re going to ruin your whole career before it even starts …. This is going to be the biggest flop and you’ve just done Chekhov and Ibsen and Shakespeare at the Globe,’” David recalled in a press conference for her new movie (shown here), “When Christmas Was Young.”
The show, “Mamma Mia,” didn’t flop. It’s still in London, 23 years later; it did 14 years on Broadway, has been seen by 65 million people worldwide and been spurred two movies. And David’s career didn’t flop, either; she stars in “When Christmas Was Young,” at 8:30 p.m. Sunday (but 8 p.m. on the West Coast) on CBS. Read more…

Amid a long shutdown, she had some grand moments

For Megan Hilty, the all-or-nothing world of show business hit some extremes.
The Covid shutdown lingered. There were no Broadway shows, no on-camera roles. “To have that taken away was a shock,” she said.
But then there was one busy stretch, a year ago. First, she was hurriedly added to NBC’s “Annie Live,” replacing Jane Krakowski, who had Covid. Two weeks after that, she was in Salt Lake City, surrounded by the 300-voice Tabernacle Choir (formerly Mormon Tabernacle Choir). “It is enormous,” she recalled in a virtual press conference. “It’s almost like bathing in sound.”
That Christmas concert (shown here) will air at 8 p.m. Tuesday (Dec. 13) on PBS and 8 p.m. ET Dec. 18 on BYU-TV. It almost didn’t happen. Read more…

Here’s the updated Christmas TV mega-list

The Christmas TV blitz keeps transforming.
On Thanksgiving Day, we had an elaborate list of what was coming up. Since then, however, several things have changed. Here’s the list in its original form, but with two changes — “Santa Claus is Comin’ to Town” (shown here) and “CMA Country Christmas” both moved back a week, to Dec. 8 — and a several additions: Read more…

We must love a cliche-scarce Christmas movie

If you think it’s hard to watch all these Christmas movies, imagine what it’s like to write them.
Consider Mark Amato. He used to be your standard TV writer, doing multiple episodes of “Mutant X,” “Baby Daddy,” etc. But in recent years, he’s had 13 TV movies produced; 10 were Christmas ones and two were she-meets-a-prince ones.
He’s used a lot of plots and groped for more. “You sit at a computer and the words aren’t coming,” he said. “Or, worse, they’re coming, just not any good.”
So he turned that struggle into his latest movie (shown here). ““Must Love Christmas” (9 p.m. Dec. 11) is the second of three new holiday films CBS airs on consecutive Sundays. The first (“Fit For Christmas”) was disappointing, the third (“When Christmas Was Young,” Dec. 18) has its moments … but it’s this middle one that stands out. Read more…

Restless for mid-season? Here are return dates

Right about now, viewers could be grumbling.
Most scripted shows are starting long holiday breaks. Christmas specials are fine (sort of), but when do the real shows return? And when do the mid-season ones arrive?
Earlier, the big-four networks set their plans; we’ve attached those stories below. Now the CW has its news, mostly resuming its fall line-up in January … or, for “Kung Fu” (shown here), early February.
Still pending, however, are the starting dates for several key shows that were delayed to mid-season — a new “Superman & Lois” season and the final seasons of “The Flash,” “Riverdale” and “Nancy Drew.” Those could end up at 8 p.m. Tuesdays and Wednesdays and from 8-10 p.. Sundays. Meanwhile, we’ll start with the CW news: Read more…

It’s a sweet, prah-lean kind of movie

Television, we all know, is an educational medium.
So here’s today’s lesson, via a Christmas movie: A tasty confection is not pronounced “pray lean,” as much of the world assumes. It’s “prah lean.”
“We learned that really fast,” said Keshia Knight Pulliam, the producer and star of “A New Orleans Noel” (shown here), at 8 p.m. Saturday and 6 p.m. Sunday (Dec. 3-4) on Lifetime.
Brad James, her husband and co-star, also had to learn this. But Angela Tucker, the director and co-writer, was well aware of how to say it … and how to eat it. “I had a praline, probably, for breakfast, lunch and dinner” while filming, she said. Read more…

Adam Reed (one of them) molds a Christmas cartoon

A logical mind might expect that all Adam Reeds are the same.
Or, at least, that all Adam Reeds who make animated TV shows are the same.
Not so. One such Adam Reed makes “Archer,” which is a popular Emmy-winner … and ripples with cynicism. The other is the creative force behind “Reindeer in Here” (shown here), which debuts at 9 p.m. Tuesday (Nov. 29) on CBS, with abundant optimism.
“I couldn’t find a positive Christmas” book, the latter Reed said. He was particularly down on “Elf on the Shelf,” which he has called “creepy.” So he wrote a thoroughly non-creepy, non-cynical book. The basic notion, Reed said, is that “every child, at some point, feels different.” In this case, it’s a boy who has moved a lot and feels alone. Read more…

Chippendales: big biceps, big profits, big scandal

The Chippendales world began modestly enough, 43 years ago. A failing night club tried some strip shows using male dancers.
Then things soared in odd ways. There were huge crowds, big profits, creative differences … and investigations for murder and arson and more.
That’s already been the subject of movies, books and, last year, a four-part Discovery+ documentary. Now there’s the “Welcome to Chippendales” mini-serie (shown here), on Hulu. The third episode is Nov. 29, with the others on the next five Tuesdays.
This is a true story, peppered with odd details. “It has this glossy, kind of campy overlay, because it’s the Chippendale dancers,” said, Annale Ashford, who co-stars. “And then underneath that, there’s the belly of everything that was happening socially.” Read more…