After a two-week pause, the 50th “Saturday Night Live” season is ready for its big finish.
Beginning May 3, it will have new episodes hosted by Quinta Brunson, Walton Goggins and Scarlett Johansso (shown here). Details include: Read more…
“The Conners” (shown here) says farewell Wednesday (April 23), ending a journey that’s been long, bumpy and sometimes wonderful.
A good show in its final years, a great one in its early years, it’s a key piece of TV history.
When this started (as “Roseanne”) in 1988, TV comedies had seemed unaware of blue-collar America. Sure, there was Jackie Gleason in “Honeymooners” and (briefly) “Life of Riley,” but not much else.
Then Roseanne Barr’s show rippled with blue-collar life. The fictional Roseanne and Dan (John Goodman) were getting by, through changes in jobs and in life. Read more…
TV is ready for its Easter splurge.
That started April 12, with Moses on the mountain top; it concludes eight days later with an Easter Day surge of movies, music (including Handel’s “Messiah”) and more. In between, it has dramas (shown here is “The Chosen”) and even a stage musical.
Some of this is fueled by the era when audiences (and movie studios) savored Biblical epics. During the 1950s, four of the annual box-office champions were Biblical. All of them will be rerun this year — “Quo Vadis,” “The Ten Commandments” and “Ben-Hur” (each an Oscar-nominee for best picture) plus “The Robe.”) Read more…
The Acorn streamer – specializing in British-type mysteries – has a busy stretch of shows and news.
For now, it has three movie-length episodes of “The Chelsea Detective” (shown here in a previous season). After that are six episodes of the long-running “Brokenwood Mysteries.”
And further away? Acorn has signed Brooke Shields for a series that – in a break from Acorn tradition –will be set in the U.S. Read more…
Two Midwestern songwriters who seem worlds apart – Bob Dylan and Cole Porter – will be featured this May, in PBS’ annual Broadway series.
Porter grew up on an Indiana farm; his “Kiss Me Kate” concludes the series May 30. A week earlier is the “Girl From the North Country,” with 20 songs from Dylan, who grew up in small-town Minnesota.
In their original versions, both shows drew Tony nominations for best musical; so did “Next to Normal” (shown here in its Broadway production), which opens the series. (“Kiss Me Kate” won, back in 1949; the others didn’t.)
They’re joined by the lone play in this group, “Yellow Face.” The shows, each at 9 p.m. on “Great Performances,” are: Read more…
Barely into spring, it’s time to think about TV’s season-finales.
CBS has announced 19 of them, including three shows that won’t be back – “SWAT” (shown here), “FBI: International” and “FBI: Most Wanted.”
It also plans to turn some of the season-finales into events. Several will be two-parters; “Elsbeth” will bring back some of its favorite villains. Read more…
It kind of felt like I was in the wrong theater.
I was there for “Snow White.” (Don’t judge.) But this felt more like I’d stumbled into “Les Miserables.”
I was hoping for happy little guys who whistled while they worked. Instead, I saw miserable souls under a vain ruler who knew nothing about the common man. If I’d wanted that, I could have watched CNN.
Eventually, it all works out and there’s a happy ending. (Sorry, I should have put up a spoiler alert.) But it was a rough road to get there. Read more…
There really is good news (occasionally) in the TV world.
Now we have fresh examples: “Ted Lasso” is returning … “Dark Winds” is prospering … And natural-world documentaries keep getting better. Details: Read more…
(This is the latest chapter of a book-in-progress, “Television, and How It Got That Way.” If you scroll up one, you’ll see all of the chapters so far, including this one, in their places in the book.)
For 30 years, a fourth TV network seemed like mere myth.
That was after the death of DuMont and before the birth of Fox. There were several tries, all imploding quickly.
One such fizzle (a 1967 latenight show led by Bill Dana, shown here) was declared by Jack Gould, the New York Times TV critic, to seal things. It was “further evidence that expansion of commercial TV is little more than a pipe dream.” Read more…
\For screenwriters, there’s a helpful chaos theory.
It’s one of the reasons that “Anora” (shown here) – in theaters now, on Hulu starting March 17 – was a worthy winner of five Academy Awards, including best picture.
That still doesn’t mean everyone should rush to see it. This film has enough of many things – sex, nudity, language – to disrupt fragile souls and bring arrests in fragile nations.
But it also has much more – great characters, perfect performances (especially by Oscar-winner Mikey Madison) and clever chaos. Read more…
